Title |
|
Views |
The 8 Archetypal Characters |
 |
7,562 |
Dramatica Audio Program |
 |
2,303 |
Dramatica Theory Book |
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1,746 |
Dramatica Video Program |
 |
1,526 |
Sidekick & Skeptic Archetypes |
 |
1,297 |
The Best Story Structure Articles of 2012 |
 |
1,209 |
Objective vs. Subjective Perspectives |
 |
1,187 |
Story Development |
 |
1,045 |
Characters |
 |
1,011 |
Blog |
 |
961 |
Dramatica Definition: Contagonist |
 |
908 |
Complex Characters in “Rear Window” |
 |
877 |
Dramatica Dictionary |
 |
828 |
The 8 Archetypal Characters |
 |
811 |
Creative Writing |
 |
811 |
Novel Writing |
 |
774 |
Dramatica Pro |
 |
704 |
Character Interests (Likes and Dislikes) |
 |
673 |
Plot |
 |
634 |
12 Essential Questions |
 |
567 |
Narrative Space |
 |
566 |
A Character’s Purpose |
 |
558 |
Stories with Main Characters Who Change |
 |
548 |
Each Archetype is an Equation |
 |
498 |
Character Development and the 28 “Magic” Scenes |
 |
488 |
Genre & Theme |
 |
487 |
Introduction to Plot |
 |
478 |
Dramatica – How We Did It! (Part One) |
 |
438 |
Objective and Subjective Characters |
 |
429 |
Protagonist and Antagonist |
 |
429 |
StoryWeaver vs. Dramatica |
 |
420 |
Screenwriting |
 |
408 |
The Dramatica Structural Model |
 |
394 |
3 Act vs. 4 Act Structure |
 |
380 |
“Sweet Spots” in Time |
 |
334 |
Static & Progressive Plot Points |
 |
333 |
Premise and the Thematic Argument |
 |
323 |
Thematic Premise vs. Thematic Conflict |
 |
322 |
StoryWeaving Seminar |
 |
317 |
Four Dimensional Characters |
 |
315 |
Using Dramatica Example Stories |
 |
310 |
Psychology, Personality, Persona & Perception – The 4 P’s Revisited |
 |
265 |
Dramatica Class |
 |
261 |
Selecting Your Story’s Goal |
 |
259 |
Narrative Dynamics 7 – Dynamics Quads |
 |
251 |
External and Internal Dependencies |
 |
245 |
The Four Story Domains |
 |
235 |
Writing Trilogies |
 |
228 |
The “Influence Character” in a Nut Shell |
 |
228 |
The Contagonist |
 |
225 |
Complex Characters in “Gone with the Wind” |
 |
220 |
Conversational Inertia |
 |
218 |
Your Plot, Step by Step |
 |
207 |
New Interactive Index Card Software – Just $9.95 |
 |
205 |
Writing Tips for Multi-Story Ensemble Series and Soap Operas |
 |
204 |
A Novelist’s Bag of Tricks |
 |
204 |
The Four Stages of Communication |
 |
202 |
Dramatica Unplugged (Part 1) – Introducing the Story Mind |
 |
202 |
Beyond Dramatica – a new free eBook by Dramatica co-creator Melanie Anne Phillips |
 |
194 |
8 Character Archetypes Portray the Facets of Our Minds |
 |
189 |
What Is Dramatica? |
 |
188 |
Male vs. Female Problem Solving |
 |
186 |
Action & Decision Elements of Character Archetypes |
 |
185 |
The Four Story Throughlines |
 |
176 |
The Reason and Emotion Archetypes |
 |
176 |
Predicting Human Behavior |
 |
175 |
Four Points of View in Every Story |
 |
171 |
Birth of a Story Mind |
 |
170 |
The Measure of a Hero |
 |
169 |
Dramatica Class 10 |
 |
168 |
Characters – Introduction to “Blind Spot” |
 |
164 |
“Hero” is a Stereotype NOT an Archetype! |
 |
162 |
Creating Characters from Scratch |
 |
162 |
Dramatica Definition: Critical Flaw |
 |
158 |
Enough Theory! How Does Dramatica Work on Real Stories? |
 |
157 |
Narrative Science |
 |
156 |
The Narrative Archetype |
 |
152 |
Narrative Dynamics 1 – Introduction |
 |
151 |
Dramatica Dictionary: P |
 |
151 |
Dramatica Theory Book: Chapter 4 |
 |
150 |
Is Story Structure a Myth? |
 |
149 |
How to Structure Your Story’s Theme |
 |
149 |
Novel Writing Tips: Novels Aren’t Stories |
 |
148 |
Random Story Generator |
 |
147 |
Archetypes in the Movie, “Jaws” |
 |
146 |
Main Character’s Resolve |
 |
145 |
Be a StoryWeaver – NOT a Story Mechanic! |
 |
143 |
Dramatica Definition: Dynamic Pair |
 |
143 |
Questions About Dramatica Story Expert |
 |
142 |
Dramatica Structure “Super” Classes |
 |
142 |
Throughlines (and how to use them!) |
 |
141 |
Complex Characters |
 |
140 |
Narrative Dynamics 6 – The Grand Unifying Theory of Everything |
 |
140 |
Narrative Dynamics 3 – The Dramatica Model |
 |
137 |
Do Stories Have 28 or 24 Scenes? |
 |
136 |
The Reason and Emotion Archetypes |
 |
135 |
Character Motivation Elements in Wizard Of Oz |
 |
135 |
Writing Plot for Television Series |
 |
133 |
The Four Stages of Storytelling |
 |
133 |
Dramatica Theory Book: Chapter 3 |
 |
129 |
Finding Inspiration |
 |
129 |
Dramatica Theory Book: Chapter 7 |
 |
127 |
Dramatica Theory Book: Chapter 5 |
 |
125 |
Dramatica Theory Book: Chapter 9 |
 |
124 |
Creating Four Dimensional Characters (video) |
 |
124 |
Genre – Act by Act |
 |
123 |
Act Order – Sign Posts, Journeys & Throughlines |
 |
123 |
Motivations, Methodologies, Evaluations and Purposes |
 |
122 |
Dramatica Theory |
 |
120 |
Driver and Passenger Characters |
 |
120 |
Dramatica Theory Book: Chapter 2 |
 |
118 |
Creating Characters from Scratch |
 |
118 |
Static vs. Progressive Plot Points (video) |
 |
118 |
Dramatica Class 1 |
 |
117 |
Defining and Identifying Personality Types |
 |
116 |
How to Create Archetypal Characters |
 |
115 |
Dramatica Theory Book: Prologue |
 |
113 |
How to Use StoryWeaver Story Development Software |
 |
112 |
Download Dramatica Theory Book in PDF |
 |
111 |
Screenwriting Tips: Break Up Monologues |
 |
110 |
Archetypes in Star Wars |
 |
109 |
Dramatica |
 |
109 |
Dramatica: The Lost Theory |
 |
107 |
The Crucial Element |
 |
107 |
Dramatica Dictionary: C |
 |
107 |
Protagonist & Antagonist Archetypes |
 |
106 |
Developing Your Theme |
 |
104 |
Creating Characters from Plot |
 |
103 |
Character Archetypes in Dynamic Pairs |
 |
103 |
Dramatica Theory Book: Chapter 28 |
 |
103 |
Dramatica Definition: Character Dynamics |
 |
103 |
If Dramatica’s Options Aren’t What I Want, What Then? |
 |
103 |
Complex Characters in “Rear Window” |
 |
102 |
Stories with “Be-er” Main Characters |
 |
102 |
Protagonist & Antagonist |
 |
102 |
Definitive Scientific Article on Dramatica Theory |
 |
102 |
Dramatica Theory Book: Chapter 6 |
 |
101 |
About StoryWeaver Software… |
 |
101 |
Dramatica Class 11 |
 |
101 |
Write Your Novel Step by Step (Step 1) |
 |
101 |
Dramatica Theory Book: Chapter 18 |
 |
100 |
Character Arc 101 |
 |
99 |
Dramatica’s Plot Sequence Report – Deep Theory |
 |
98 |
Main Character Resolve – Change or Steadfast? |
 |
98 |
The Master Storyteller: Create a Story “Focus” |
 |
98 |
Identifying Your Antagonist |
 |
98 |
Overall Story Throughline? |
 |
97 |
Contact |
 |
97 |
Dramatica Dictionary: A |
 |
97 |
Dramatica Class 2 |
 |
96 |
Archetypes and the Crucial Element |
 |
95 |
Guardian & Contagonist Archetypes |
 |
95 |
StoryWeaving Seminar: Introduction |
 |
94 |
Dramatica Class 23 |
 |
94 |
Narrative Dynamics 5 – The Interface Solution |
 |
93 |
The Villain |
 |
93 |
Character Elements in Wizard Of Oz |
 |
93 |
Dramatica Dictionary: D |
 |
93 |
Problem, Symptom, and Critical Flaw |
 |
92 |
The 28 “Magic” Scenes – Part 2 |
 |
92 |
Story Examples in Dramatica Pro 4 |
 |
92 |
Fractal Psychology in the Real World |
 |
92 |
Archetypes in Wizard of Oz |
 |
91 |
Dramatica Theory Book: Chapter 17 |
 |
91 |
Writing from the Passionate Self |
 |
91 |
Four Essential Plot Points |
 |
91 |
Dramatica Trivia 3: The Contagonist Archetype |
 |
91 |
The Periodic Table of Story Elements |
 |
90 |
Dramatica Unplugged (Part 2) – A Tale is a Statement |
 |
90 |
The 28 “Magic” Scenes – Part 1 |
 |
90 |
Throughline Interactive Index Cards – Tip 1 |
 |
90 |
Don’t Forget the Requirements! |
 |
89 |
Designing Your Plot – Multi Appreciation Moments |
 |
89 |
The Hero Breaks Down |
 |
89 |
Dramatica Class: Main Character vs. Protagonist |
 |
89 |
Deciphering Lost Languages with Dramatica |
 |
89 |
The Obstacle Character |
 |
89 |
Do You Write Like An Actor or a Director? |
 |
89 |
Four Archetypes |
 |
89 |
Dramatica Theory Book: Chapter 8 |
 |
88 |
Who Are You Writing For? |
 |
88 |
Overcoming Habits |
 |
88 |
Sidekick & Skeptic Archetypes |
 |
87 |
“Premise” Leads to Lack of Conflict |
 |
87 |
The Dramatica Chart |
 |
87 |
Developing the Subjective Story Plot |
 |
87 |
The Story Mind (Part 9) – The Story Mind Revisited |
 |
87 |
Signposts & Journeys |
 |
87 |
Dramatica Theory Book: Chapter 1 |
 |
85 |
Character Dimensions |
 |
85 |
The 8 Character Archetypes (part 1) |
 |
85 |
Cliches, Dead Words, and Overused Phrases |
 |
85 |
Protagonist Personal |
 |
85 |
Dramatica Dictionary: S |
 |
84 |
Avoiding the Genre Trap |
 |
83 |
Dramatica Class 18 |
 |
82 |
Dramatica Theory Book: Chapter 19 |
 |
82 |
Writing Adaptations & Remakes |
 |
82 |
The Coming Global Story Mind |
 |
82 |
Using Forewarnings |
 |
80 |
Narrative Structure, Game Theory and Crowd Control |
 |
79 |
Dramatica Unplugged (Part 3) – A Story is an Argument |
 |
79 |
Creating Extra Tension with Consequences |
 |
77 |
The Dramatica Chart and Short Stories |
 |
77 |
“Hero” is a Four Letter Word (Free eBook) |
 |
77 |
What Happens in Acts One, Two and Three? |
 |
76 |
How Dramatica Works |
 |
76 |
Sequences, Variations, and Acts |
 |
76 |
Dramatica Class 24 |
 |
76 |
Creating Characters from Scratch |
 |
76 |
Dramatica Theory Book: Chapter 10 |
 |
76 |
Dramatica Theory Book: Chapter 25 |
 |
75 |
Can Two Characters Share the Same Traits? |
 |
75 |
Introduction to Premise |
 |
75 |
Dramatica Pro 4 – Characters, Part 1 |
 |
75 |
Trigonometry and Dramatica |
 |
74 |
Dramatica Definition: Sidekick |
 |
74 |
Main Character Resolve: Change or Steadfast? |
 |
74 |
Dramatica Software Tips |
 |
72 |
Plot Requirements |
 |
72 |
Overall Story Concern? |
 |
72 |
“Throughline” or “Through-Line” ? |
 |
71 |
Choosing Your Story’s Title |
 |
71 |
Examples of Story “Concerns” |
 |
71 |
A Method for Locating Personality Types in the General Population |
 |
71 |
Tricking the Muse: The Creativity “Two-Step” |
 |
71 |
A Bug in Writer’s DreamKit? (Say it ain’t so!) |
 |
70 |
Character Development Tricks! |
 |
69 |
Story Driver – Action or Decision? |
 |
69 |
Narrative Dynamics 4 – The Interface Conundrum |
 |
68 |
Revealing Your Goal |
 |
68 |
Dramatica Theory Book: Chapter 12 |
 |
68 |
Dramatica Theory Book: Chapter 16 |
 |
67 |
Overall Story Problem? |
 |
67 |
Dramatica Dictionary: Synonyms |
 |
67 |
Dramatica Class 19 |
 |
67 |
A New Approach to Genre |
 |
67 |
Theme and the Dramatica Chart |
 |
67 |
Be a StoryWeaver – NOT a Story Mechanic! (mp3) |
 |
67 |
Dramatica Class 4 |
 |
66 |
Dramatica’s Semantics Explained |
 |
66 |
Does Your Main Character Change or Remain Steadfast? |
 |
66 |
Story Consequences |
 |
65 |
A Screenwriter’s Bag of Tricks |
 |
65 |
Origins of Dramatica |
 |
65 |
Dramatica Class 15 |
 |
65 |
Overall Story Issue? |
 |
65 |
The Four Aspects of Story Structure |
 |
65 |
The Dramatica Structure: Elements |
 |
65 |
The Four Stages of Communication |
 |
65 |
Dramatica Dictionary: T |
 |
65 |
Questions about Dramatica Pro |
 |
64 |
Dramatica Theory Book: Chapter 37 |
 |
64 |
Protagonist & Antagonist |
 |
64 |
Writing an Initial Plot Synopsis |
 |
64 |
Dramatica Class 14 |
 |
64 |
Character Justifications |
 |
63 |
The Story Engine |
 |
63 |
3 Act vs. 4 Act Structure |
 |
63 |
The Relationship of Author to Audience (Theory) |
 |
63 |
The Big Bang Theory – A “Penny” for Your Thoughts |
 |
62 |
Changing Dramatica’s Suggested Act Order |
 |
62 |
Dramatica Theory Book: Chapter 11 |
 |
62 |
The False Narrative |
 |
61 |
Dramatica Class 12 |
 |
61 |
Main Character, Obstacle Character – Problem & Solution |
 |
60 |
Dramatica Class: Mental Sex |
 |
60 |
Relationship of Story Driver to Journeys |
 |
60 |
Story Judgment – Good or Bad? |
 |
60 |
Love Interests and the Dramatic Triangle |
 |
60 |
The Chemistry of Characters |
 |
60 |
John Muir and the Poodle People |
 |
60 |
Both Sides of the Thematic Argument |
 |
60 |
Developing the Objective Story Plot |
 |
59 |
Creating Characters from Plot |
 |
59 |
Main Character Approach – Do-er or Be-er? |
 |
59 |
Main Character Style – Logical or Intuitive? |
 |
59 |
Story Domain Examples |
 |
59 |
Dramatica Class 5 |
 |
59 |
Dramatica Class 22 |
 |
58 |
Story Structure for Intuitive Writers in Dramatica Pro 4 |
 |
58 |
Screenwriting Tips: Use Index Cards |
 |
58 |
Finding Your Creative Time |
 |
58 |
Graphic Novel Themes & Dramatica |
 |
58 |
Dramatica Dictionary: I |
 |
57 |
Main Character Growth – Start or Stop? |
 |
57 |
Dramatica Class 9 |
 |
57 |
Screenwriting: The Rule of Threes |
 |
57 |
Introduction to the Story Mind |
 |
57 |
Genre: Revealing Your Story’s Personality |
 |
57 |
Dramatica Class 3 |
 |
57 |
Screenwriting Tips: Red Herrings |
 |
57 |
Write Your Novel Step by Step (Step 4) |
 |
57 |
A Story’s Four Essential “Throughlines” |
 |
56 |
Rising Tension in Character Relationships |
 |
56 |
Your Unique Genre |
 |
56 |
Writing an Initial Thematic Synopsis |
 |
56 |
Quick Tip: The Collective Goal |
 |
55 |
Dramatica Pro 4 – Characters, Part 2 |
 |
55 |
Characters, Dramatica Style (mp3) |
 |
55 |
Archetypal Character Dimensions |
 |
55 |
Heroes & Villains |
 |
55 |
Dramatica Dictionary: E |
 |
55 |
Character Elements |
 |
55 |
Dramatica Theory Book: Chapter 15 |
 |
54 |
Writing an Initial Character Synopsis |
 |
54 |
Indentifying Your Main Character |
 |
54 |
Adaptation |
 |
54 |
Screenwriting Tips: Use Index Cards |
 |
54 |
Examples of Stories Concerned with “The Future” |
 |
53 |
Write Your Novel Step by Step (Step 3) |
 |
53 |
Coming Apart at the Themes |
 |
53 |
Write Your Novel Step by Step (Part 6) |
 |
53 |
Character Purposes |
 |
52 |
Dramatica Dictionary: R |
 |
52 |
Your Protagonist is not your Main Character |
 |
52 |
Story Limit – Timelock or Optionlock? |
 |
52 |
Contextual Retribution |
 |
52 |
The 12 Questions Every Writer Should Answer |
 |
52 |
Selecting Your Story’s Preconditions |
 |
51 |
Dramatica Software: Character Generator |
 |
51 |
Characters’ Personal Goals |
 |
51 |
Progressive Plot Points & Acts |
 |
51 |
Goals vs. Purposes |
 |
51 |
Hidden Meanings in Citizen Kane |
 |
51 |
Creating Characters: “My Hero!” |
 |
51 |
An Example of Problem Solving |
 |
51 |
The 28 Magic Scenes – Part Four |
 |
51 |
The Thematic Conclusion |
 |
51 |
The Dramatica Theory of Story Structure |
 |
51 |
The Story Engine for Structural Writers |
 |
50 |
Story Limit: Timelock or Optionlock? |
 |
50 |
Dramatica Class 20 |
 |
50 |
Encoding Genre |
 |
49 |
Interactions Among Character Dimensions |
 |
49 |
The Purpose of Story Structure |
 |
49 |
Writing from a Character’s Point of View |
 |
49 |
What, Exactly, Is Theme? |
 |
49 |
Story Outcome – Success or Failure? |
 |
49 |
Developing the Main Character’s Plot |
 |
49 |
Dramatica Theory Book: Chapter 20 |
 |
49 |
How the Main Character Changes |
 |
49 |
Characters – The Attributes of Age |
 |
48 |
Quick Tip: Characters’ Personal Goals |
 |
48 |
Write Your Novel Step by Step (Step 2) |
 |
48 |
Introduction to Theme |
 |
48 |
Introduction to Plot |
 |
48 |
Love Interests and the Dramatic Triangle |
 |
48 |
Change & Steadfast Characters in the Real World |
 |
48 |
Blowing the Story Bubble |
 |
48 |
Dramatica Definition: Main Character Problem |
 |
48 |
Screenwriting 101 |
 |
48 |
Selecting Your Story’s Forewarnings |
 |
48 |
Dramatica Theory Book: Chapter 21 |
 |
48 |
Mentors, Guardians, Obstacles & Star Wars |
 |
48 |
Character Dimensions |
 |
47 |
Write a Novel or Screenplay Step by Step |
 |
47 |
The Four Story Issues |
 |
47 |
Dramatica Unplugged (Part 6) – Audience Reach |
 |
47 |
Characters in the Middle of Act Three |
 |
47 |
Plot Progression for Structural Writers |
 |
47 |
Choosing Your Protagonist & Antagonist |
 |
47 |
Dramatic Quads & Dramatic Pairs |
 |
47 |
Character Elements in the Movie, “Jaws” |
 |
46 |
Subjective Characters and the Objective Story |
 |
46 |
Dramatica Definition: Non-accurate |
 |
46 |
Your Thematic Message |
 |
46 |
Dramatica Dictionary: M |
 |
46 |
A Word of Warning About Propaganda |
 |
46 |
Introducing the Story Mind (video) – Part 1 of 113 |
 |
46 |
Novel Writing Tips: Get Into Your Characters’ Heads |
 |
46 |
Dramatica Dictionary: K |
 |
46 |
Archetypal Methodologies |
 |
46 |
Dramatica Theory Book: Chapter 13 |
 |
45 |
Success or Failure? |
 |
45 |
Developing the Obstacle Character’s Plot |
 |
45 |
Using Character Names from Someone Else’s Story |
 |
45 |
Characters in “To Kill a Mockingbird” |
 |
45 |
“Hero” is a Four-Letter Word (Part 2) |
 |
45 |
Narrative Dynamics (Part 4) |
 |
45 |
Writing Theme & Genre in Television Series |
 |
44 |
Plot Points in Example Stories |
 |
44 |
Story Perspectives |
 |
44 |
Dramatica Unplugged (Part 4) – The Dramatica Chart |
 |
44 |
Dramatica Unplugged (Part 7) – Story Structure vs. Storytelling |
 |
44 |
Unfolding Your Thematic Topic |
 |
44 |
Be a Story Weaver (Part 3) |
 |
43 |
Dramaticapedia – “Ability” |
 |
43 |
Dramatica Dictionary: F |
 |
43 |
“Illegal” Plot Progressions |
 |
43 |
Dramatica Definition: Main Character Focus |
 |
43 |
Storytelling Technique: Meaning Reversals |
 |
43 |
The 28 Magic Scenes – Part Three |
 |
43 |
Dramatica Theory Book: Chapter 24 |
 |
42 |
al Awlaki, the “Uncanny Valley” and Writing Empathetic Characters |
 |
42 |
Relationship Between Main & Obstacle Characters |
 |
42 |
Storytelling Technique: Red Herrings |
 |
41 |
Main Character Throughline |
 |
41 |
New Book on Archetypes and the Mind |
 |
41 |
Brainstorming for Structural Writers |
 |
41 |
The Villain |
 |
41 |
Conflict Can Limit Your Characters |
 |
41 |
Scene Creation for Structural Writers |
 |
41 |
The Objective Story Issue |
 |
41 |
Blowing the Story Bubble |
 |
41 |
Plot vs. Exposition |
 |
40 |
A Story is a Argument |
 |
40 |
Examples of Main Characters who Change |
 |
40 |
Levels of the Story Mind |
 |
40 |
Narrative Dynamics (Part 1) |
 |
40 |
Dramatica Theory Book: Chapter 29 |
 |
40 |
Dramatica Theory Book: Chapter 35 |
 |
40 |
Four Levels of Propaganda |
 |
40 |
A Story’s Limit: Timelock or Option Lock? |
 |
40 |
Subplots |
 |
40 |
A Few Words About Theme |
 |
39 |
The New Dramatica for Macintosh is Finally Here! |
 |
39 |
Dramatica Theory Book: Chapter 26 |
 |
39 |
#6539 (loading title) |
 |
39 |
Direction of Main Character Growth |
 |
39 |
Start and Stop Characters in the Real World |
 |
38 |
Dramatica Pro 4 – Brainstorming, Part 1 |
 |
38 |
Dramatica Theory Book: Chapter 33 |
 |
38 |
Storytelling Trick 2 – Red Herrings (Changing Importance) |
 |
38 |
How Dramatica is Different from Six Other Story Paradigms |
 |
38 |
Dramatica & Non-linear Game Theory |
 |
38 |
Examples of Stories Concerned with Understanding |
 |
38 |
Psychology, Personality, Persona and Perception |
 |
38 |
Dramatica vs. McKee |
 |
37 |
Dramatica Class 17 |
 |
37 |
Dramatica Class 7 |
 |
37 |
How to Beat Writer’s Block |
 |
37 |
Dramatica Class: Main Character vs. Protagonist |
 |
37 |
More Notes on the Dynamic Model of Narrative Psychology |
 |
37 |
Character Relationships Baselines |
 |
37 |
Dramatica Class 21 |
 |
37 |
God and Dramatica |
 |
36 |
The Story Mind (Part 8) – Writing Remakes |
 |
36 |
New Category – Narrative Science! |
 |
36 |
Dramatica Theory Book: Chapter 34 |
 |
36 |
StoryWeaving, Space & Time |
 |
36 |
Dramatica Theory Book: Chapter 27 |
 |
36 |
Famous Novels’ first sentences mapped! |
 |
36 |
Character Motivation Elements in Star Wars |
 |
36 |
Introducing Characters: First Impressions |
 |
35 |
Dramatica Class 6 |
 |
35 |
Be a Story Weaver (Part 1) |
 |
35 |
50 Sure-Fire Storytelling Tricks! |
 |
35 |
Why Dramatica Works – Part 1 |
 |
35 |
Main Character Mental Sex |
 |
35 |
Dramatica: Out of Balance |
 |
35 |
Origins of Story Structure |
 |
35 |
Character Justifications |
 |
35 |
The Four Throughlines |
 |
35 |
The Cardinal Rule of Storytelling |
 |
34 |
How to Use Dramatica & StoryWeaver Together |
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A Tale is a Statement |
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34 |
Storytelling Technique: Out of Sequence Experiences |
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34 |
Co-Creator of Dramatica’s Birthday Today! |
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34 |
Writing Non-stories |
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34 |
Creating Characters: “My Hero!” |
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34 |
The Authorless Narrative |
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34 |
Character Element Pairs |
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34 |
Dramatica Definition: Author’s Proof |
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34 |
Matching Character Personalities to Archetypes |
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34 |
Screenwriting Tips: Exposition |
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34 |
Characters’ Changing Emotional Relationships |
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The Love Interest |
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34 |
How to Come Up with Story Ideas |
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Narrative Dynamics 2 – Transmutation of Particles and Waves |
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Revealing Your Goal |
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33 |
Writing Stories about Hopes and Dreams |
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33 |
Throughline 3 is Here!!! |
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33 |
Quick Tip: Flashbacks and Flash Forwards |
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How Characters Solve Problems |
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33 |
StoryWeaver Story Development Software Walk Through |
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33 |
Introducing the Story Mind (video) |
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33 |
Dramatica Pro 4 – Characters, Part 3 |
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33 |
StoryWeaver Tip 1 |
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Your Thematic Topic |
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33 |
Breaking Screenplay Format |
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33 |
Different Themes in Different Throughlines |
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33 |
Dramatica Theory Book: Chapter 23 |
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33 |
Character Development Tricks! |
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32 |
Write Your Screenplay Step By Step – Now for Kindle |
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32 |
Writing from a Character’s Point of View |
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32 |
Questions About Act Order in Different Cultures |
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StoryWeaver Fix – Why Files Don’t Seem to Save |
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32 |
Elements of Structure – Art of Storytelling |
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32 |
Character Assumptions |
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Applying Dramatica to the Real World |
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Dramatica Software: Developing Plot |
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32 |
Screenwriting Tips: Don’t Say It! |
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32 |
Dramatica Dictionary: H |
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31 |
Deus ex Machiavelli |
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Theme: An Emotional Argument |
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31 |
The Four Story Problems |
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