Title |
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The 8 Archetypal Characters |
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7,562 |
Dramatica Audio Program |
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2,303 |
Dramatica Theory Book |
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1,746 |
Dramatica Video Program |
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1,526 |
Sidekick & Skeptic Archetypes |
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1,297 |
The Best Story Structure Articles of 2012 |
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1,209 |
Objective vs. Subjective Perspectives |
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1,187 |
Story Development |
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1,045 |
Characters |
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1,011 |
Blog |
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961 |
Dramatica Definition: Contagonist |
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908 |
Complex Characters in “Rear Window” |
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877 |
Dramatica Dictionary |
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828 |
The 8 Archetypal Characters |
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811 |
Creative Writing |
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811 |
Novel Writing |
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774 |
Dramatica Pro |
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Character Interests (Likes and Dislikes) |
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673 |
Plot |
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634 |
12 Essential Questions |
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567 |
Narrative Space |
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566 |
A Character’s Purpose |
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558 |
Stories with Main Characters Who Change |
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548 |
Each Archetype is an Equation |
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498 |
Character Development and the 28 “Magic” Scenes |
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488 |
Genre & Theme |
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487 |
Introduction to Plot |
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478 |
Dramatica – How We Did It! (Part One) |
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438 |
Objective and Subjective Characters |
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429 |
Protagonist and Antagonist |
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429 |
StoryWeaver vs. Dramatica |
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420 |
Screenwriting |
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408 |
The Dramatica Structural Model |
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394 |
3 Act vs. 4 Act Structure |
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380 |
“Sweet Spots” in Time |
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334 |
Static & Progressive Plot Points |
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333 |
Premise and the Thematic Argument |
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323 |
Thematic Premise vs. Thematic Conflict |
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322 |
StoryWeaving Seminar |
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317 |
Four Dimensional Characters |
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315 |
Using Dramatica Example Stories |
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310 |
Psychology, Personality, Persona & Perception – The 4 P’s Revisited |
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265 |
Dramatica Class |
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261 |
Selecting Your Story’s Goal |
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259 |
Narrative Dynamics 7 – Dynamics Quads |
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251 |
External and Internal Dependencies |
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245 |
The Four Story Domains |
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235 |
Writing Trilogies |
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228 |
The “Influence Character” in a Nut Shell |
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228 |
The Contagonist |
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225 |
Complex Characters in “Gone with the Wind” |
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220 |
Conversational Inertia |
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218 |
Your Plot, Step by Step |
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207 |
New Interactive Index Card Software – Just $9.95 |
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205 |
Writing Tips for Multi-Story Ensemble Series and Soap Operas |
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204 |
A Novelist’s Bag of Tricks |
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204 |
The Four Stages of Communication |
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202 |
Dramatica Unplugged (Part 1) – Introducing the Story Mind |
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202 |
Beyond Dramatica – a new free eBook by Dramatica co-creator Melanie Anne Phillips |
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194 |
8 Character Archetypes Portray the Facets of Our Minds |
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189 |
What Is Dramatica? |
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188 |
Male vs. Female Problem Solving |
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186 |
Action & Decision Elements of Character Archetypes |
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185 |
The Four Story Throughlines |
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176 |
The Reason and Emotion Archetypes |
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176 |
Predicting Human Behavior |
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175 |
Four Points of View in Every Story |
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171 |
Birth of a Story Mind |
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170 |
The Measure of a Hero |
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169 |
Dramatica Class 10 |
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168 |
Characters – Introduction to “Blind Spot” |
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164 |
“Hero” is a Stereotype NOT an Archetype! |
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162 |
Creating Characters from Scratch |
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162 |
Dramatica Definition: Critical Flaw |
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158 |
Enough Theory! How Does Dramatica Work on Real Stories? |
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157 |
Narrative Science |
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156 |
The Narrative Archetype |
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152 |
Narrative Dynamics 1 – Introduction |
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151 |
Dramatica Dictionary: P |
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151 |
Dramatica Theory Book: Chapter 4 |
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150 |
Is Story Structure a Myth? |
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149 |
How to Structure Your Story’s Theme |
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149 |
Novel Writing Tips: Novels Aren’t Stories |
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148 |
Random Story Generator |
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147 |
Archetypes in the Movie, “Jaws” |
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146 |
Main Character’s Resolve |
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145 |
Be a StoryWeaver – NOT a Story Mechanic! |
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143 |
Dramatica Definition: Dynamic Pair |
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143 |
Questions About Dramatica Story Expert |
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142 |
Dramatica Structure “Super” Classes |
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142 |
Throughlines (and how to use them!) |
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141 |
Complex Characters |
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140 |
Narrative Dynamics 6 – The Grand Unifying Theory of Everything |
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140 |
Narrative Dynamics 3 – The Dramatica Model |
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137 |
Do Stories Have 28 or 24 Scenes? |
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136 |
The Reason and Emotion Archetypes |
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135 |
Character Motivation Elements in Wizard Of Oz |
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135 |
Writing Plot for Television Series |
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133 |
The Four Stages of Storytelling |
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133 |
Dramatica Theory Book: Chapter 3 |
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129 |
Finding Inspiration |
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129 |
Dramatica Theory Book: Chapter 7 |
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127 |
Dramatica Theory Book: Chapter 5 |
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125 |
Dramatica Theory Book: Chapter 9 |
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124 |
Creating Four Dimensional Characters (video) |
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124 |
Genre – Act by Act |
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123 |
Act Order – Sign Posts, Journeys & Throughlines |
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123 |
Motivations, Methodologies, Evaluations and Purposes |
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122 |
Dramatica Theory |
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120 |
Driver and Passenger Characters |
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120 |
Dramatica Theory Book: Chapter 2 |
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118 |
Creating Characters from Scratch |
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118 |
Static vs. Progressive Plot Points (video) |
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118 |
Dramatica Class 1 |
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117 |
Defining and Identifying Personality Types |
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116 |
How to Create Archetypal Characters |
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115 |
Dramatica Theory Book: Prologue |
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113 |
How to Use StoryWeaver Story Development Software |
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112 |
Download Dramatica Theory Book in PDF |
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111 |
Screenwriting Tips: Break Up Monologues |
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110 |
Archetypes in Star Wars |
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109 |
Dramatica |
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109 |
Dramatica: The Lost Theory |
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107 |
The Crucial Element |
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107 |
Dramatica Dictionary: C |
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107 |
Protagonist & Antagonist Archetypes |
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106 |
Developing Your Theme |
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104 |
Creating Characters from Plot |
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103 |
Character Archetypes in Dynamic Pairs |
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103 |
Dramatica Theory Book: Chapter 28 |
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103 |
Dramatica Definition: Character Dynamics |
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103 |
If Dramatica’s Options Aren’t What I Want, What Then? |
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103 |
Complex Characters in “Rear Window” |
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102 |
Stories with “Be-er” Main Characters |
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102 |
Protagonist & Antagonist |
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102 |
Definitive Scientific Article on Dramatica Theory |
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102 |
Dramatica Theory Book: Chapter 6 |
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101 |
About StoryWeaver Software… |
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101 |
Dramatica Class 11 |
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101 |
Write Your Novel Step by Step (Step 1) |
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101 |
Dramatica Theory Book: Chapter 18 |
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100 |
Character Arc 101 |
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99 |
Dramatica’s Plot Sequence Report – Deep Theory |
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98 |
Main Character Resolve – Change or Steadfast? |
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98 |
The Master Storyteller: Create a Story “Focus” |
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98 |
Identifying Your Antagonist |
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98 |
Overall Story Throughline? |
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97 |
Contact |
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97 |
Dramatica Dictionary: A |
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97 |
Dramatica Class 2 |
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96 |
Archetypes and the Crucial Element |
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95 |
Guardian & Contagonist Archetypes |
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95 |
StoryWeaving Seminar: Introduction |
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94 |
Dramatica Class 23 |
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94 |
Narrative Dynamics 5 – The Interface Solution |
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93 |
The Villain |
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93 |
Character Elements in Wizard Of Oz |
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93 |
Dramatica Dictionary: D |
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93 |
Problem, Symptom, and Critical Flaw |
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92 |
The 28 “Magic” Scenes – Part 2 |
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92 |
Story Examples in Dramatica Pro 4 |
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92 |
Fractal Psychology in the Real World |
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92 |
Archetypes in Wizard of Oz |
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91 |
Dramatica Theory Book: Chapter 17 |
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91 |
Writing from the Passionate Self |
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91 |
Four Essential Plot Points |
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91 |
Dramatica Trivia 3: The Contagonist Archetype |
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91 |
The Periodic Table of Story Elements |
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90 |
Dramatica Unplugged (Part 2) – A Tale is a Statement |
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90 |
The 28 “Magic” Scenes – Part 1 |
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90 |
Throughline Interactive Index Cards – Tip 1 |
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90 |
Don’t Forget the Requirements! |
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89 |
Designing Your Plot – Multi Appreciation Moments |
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89 |
The Hero Breaks Down |
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89 |
Dramatica Class: Main Character vs. Protagonist |
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89 |
Deciphering Lost Languages with Dramatica |
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89 |
The Obstacle Character |
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89 |
Do You Write Like An Actor or a Director? |
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89 |
Four Archetypes |
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89 |
Dramatica Theory Book: Chapter 8 |
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88 |
Who Are You Writing For? |
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88 |
Overcoming Habits |
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88 |
Sidekick & Skeptic Archetypes |
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87 |
“Premise” Leads to Lack of Conflict |
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87 |
The Dramatica Chart |
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87 |
Developing the Subjective Story Plot |
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87 |
The Story Mind (Part 9) – The Story Mind Revisited |
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87 |
Signposts & Journeys |
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87 |
Dramatica Theory Book: Chapter 1 |
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85 |
Character Dimensions |
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85 |
The 8 Character Archetypes (part 1) |
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85 |
Cliches, Dead Words, and Overused Phrases |
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85 |
Protagonist Personal |
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85 |
Dramatica Dictionary: S |
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84 |
Avoiding the Genre Trap |
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83 |
Dramatica Class 18 |
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82 |
Dramatica Theory Book: Chapter 19 |
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82 |
Writing Adaptations & Remakes |
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82 |
The Coming Global Story Mind |
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82 |
Using Forewarnings |
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80 |
Narrative Structure, Game Theory and Crowd Control |
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79 |
Dramatica Unplugged (Part 3) – A Story is an Argument |
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79 |
Creating Extra Tension with Consequences |
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77 |
The Dramatica Chart and Short Stories |
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77 |
“Hero” is a Four Letter Word (Free eBook) |
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77 |
What Happens in Acts One, Two and Three? |
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76 |
How Dramatica Works |
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76 |
Sequences, Variations, and Acts |
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76 |
Dramatica Class 24 |
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76 |
Creating Characters from Scratch |
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76 |
Dramatica Theory Book: Chapter 10 |
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76 |
Dramatica Theory Book: Chapter 25 |
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75 |
Can Two Characters Share the Same Traits? |
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75 |
Introduction to Premise |
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75 |
Dramatica Pro 4 – Characters, Part 1 |
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75 |
Trigonometry and Dramatica |
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74 |
Dramatica Definition: Sidekick |
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74 |
Main Character Resolve: Change or Steadfast? |
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74 |
Dramatica Software Tips |
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72 |
Plot Requirements |
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72 |
Overall Story Concern? |
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72 |
“Throughline” or “Through-Line” ? |
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71 |
Choosing Your Story’s Title |
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71 |
Examples of Story “Concerns” |
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71 |
A Method for Locating Personality Types in the General Population |
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71 |
Tricking the Muse: The Creativity “Two-Step” |
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71 |
A Bug in Writer’s DreamKit? (Say it ain’t so!) |
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70 |
Character Development Tricks! |
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69 |
Story Driver – Action or Decision? |
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69 |
Narrative Dynamics 4 – The Interface Conundrum |
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68 |
Revealing Your Goal |
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68 |
Dramatica Theory Book: Chapter 12 |
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68 |
Dramatica Theory Book: Chapter 16 |
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67 |
Overall Story Problem? |
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67 |
Dramatica Dictionary: Synonyms |
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67 |
Dramatica Class 19 |
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67 |
A New Approach to Genre |
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67 |
Theme and the Dramatica Chart |
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67 |
Be a StoryWeaver – NOT a Story Mechanic! (mp3) |
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67 |
Dramatica Class 4 |
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66 |
Dramatica’s Semantics Explained |
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66 |
Does Your Main Character Change or Remain Steadfast? |
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66 |
Story Consequences |
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65 |
A Screenwriter’s Bag of Tricks |
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65 |
Origins of Dramatica |
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65 |
Dramatica Class 15 |
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65 |
Overall Story Issue? |
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65 |
The Four Aspects of Story Structure |
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65 |
The Dramatica Structure: Elements |
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65 |
The Four Stages of Communication |
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65 |
Dramatica Dictionary: T |
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65 |
Questions about Dramatica Pro |
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64 |
Dramatica Theory Book: Chapter 37 |
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64 |
Protagonist & Antagonist |
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64 |
Writing an Initial Plot Synopsis |
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64 |
Dramatica Class 14 |
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64 |
Character Justifications |
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63 |
The Story Engine |
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63 |
3 Act vs. 4 Act Structure |
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63 |
The Relationship of Author to Audience (Theory) |
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63 |
The Big Bang Theory – A “Penny” for Your Thoughts |
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62 |
Changing Dramatica’s Suggested Act Order |
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62 |
Dramatica Theory Book: Chapter 11 |
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62 |
The False Narrative |
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61 |
Dramatica Class 12 |
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61 |
Main Character, Obstacle Character – Problem & Solution |
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60 |
Dramatica Class: Mental Sex |
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60 |
Relationship of Story Driver to Journeys |
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60 |
Story Judgment – Good or Bad? |
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60 |
Love Interests and the Dramatic Triangle |
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60 |
The Chemistry of Characters |
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60 |
John Muir and the Poodle People |
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60 |
Both Sides of the Thematic Argument |
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60 |
Developing the Objective Story Plot |
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59 |
Creating Characters from Plot |
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59 |
Main Character Approach – Do-er or Be-er? |
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59 |
Main Character Style – Logical or Intuitive? |
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59 |
Story Domain Examples |
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59 |
Dramatica Class 5 |
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59 |
Dramatica Class 22 |
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58 |
Story Structure for Intuitive Writers in Dramatica Pro 4 |
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58 |
Screenwriting Tips: Use Index Cards |
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58 |
Finding Your Creative Time |
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58 |
Graphic Novel Themes & Dramatica |
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58 |
Dramatica Dictionary: I |
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57 |
Main Character Growth – Start or Stop? |
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57 |
Dramatica Class 9 |
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57 |
Screenwriting: The Rule of Threes |
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57 |
Introduction to the Story Mind |
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57 |
Genre: Revealing Your Story’s Personality |
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57 |
Dramatica Class 3 |
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57 |
Screenwriting Tips: Red Herrings |
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57 |
Write Your Novel Step by Step (Step 4) |
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57 |
A Story’s Four Essential “Throughlines” |
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56 |
Rising Tension in Character Relationships |
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56 |
Your Unique Genre |
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56 |
Writing an Initial Thematic Synopsis |
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56 |
Quick Tip: The Collective Goal |
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55 |
Dramatica Pro 4 – Characters, Part 2 |
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55 |
Characters, Dramatica Style (mp3) |
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55 |
Archetypal Character Dimensions |
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55 |
Heroes & Villains |
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55 |
Dramatica Dictionary: E |
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55 |
Character Elements |
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55 |
Dramatica Theory Book: Chapter 15 |
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54 |
Writing an Initial Character Synopsis |
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54 |
Indentifying Your Main Character |
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54 |
Adaptation |
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54 |
Screenwriting Tips: Use Index Cards |
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54 |
Examples of Stories Concerned with “The Future” |
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53 |
Write Your Novel Step by Step (Step 3) |
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53 |
Coming Apart at the Themes |
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53 |
Write Your Novel Step by Step (Part 6) |
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53 |
Character Purposes |
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52 |
Dramatica Dictionary: R |
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52 |
Your Protagonist is not your Main Character |
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52 |
Story Limit – Timelock or Optionlock? |
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52 |
Contextual Retribution |
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52 |
The 12 Questions Every Writer Should Answer |
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52 |
Selecting Your Story’s Preconditions |
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51 |
Dramatica Software: Character Generator |
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51 |
Characters’ Personal Goals |
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51 |
Progressive Plot Points & Acts |
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51 |
Goals vs. Purposes |
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51 |
Hidden Meanings in Citizen Kane |
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51 |
Creating Characters: “My Hero!” |
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51 |
An Example of Problem Solving |
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51 |
The 28 Magic Scenes – Part Four |
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51 |
The Thematic Conclusion |
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51 |
The Dramatica Theory of Story Structure |
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51 |
The Story Engine for Structural Writers |
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50 |
Story Limit: Timelock or Optionlock? |
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50 |
Dramatica Class 20 |
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50 |
Encoding Genre |
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49 |
Interactions Among Character Dimensions |
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49 |
The Purpose of Story Structure |
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49 |
Writing from a Character’s Point of View |
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49 |
What, Exactly, Is Theme? |
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49 |
Story Outcome – Success or Failure? |
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49 |
Developing the Main Character’s Plot |
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49 |
Dramatica Theory Book: Chapter 20 |
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49 |
How the Main Character Changes |
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49 |
Characters – The Attributes of Age |
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48 |
Quick Tip: Characters’ Personal Goals |
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48 |
Write Your Novel Step by Step (Step 2) |
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48 |
Introduction to Theme |
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48 |
Introduction to Plot |
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48 |
Love Interests and the Dramatic Triangle |
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48 |
Change & Steadfast Characters in the Real World |
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48 |
Blowing the Story Bubble |
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48 |
Dramatica Definition: Main Character Problem |
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48 |
Screenwriting 101 |
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48 |
Selecting Your Story’s Forewarnings |
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48 |
Dramatica Theory Book: Chapter 21 |
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48 |
Mentors, Guardians, Obstacles & Star Wars |
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48 |
Character Dimensions |
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47 |
Write a Novel or Screenplay Step by Step |
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47 |
The Four Story Issues |
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47 |
Dramatica Unplugged (Part 6) – Audience Reach |
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47 |
Characters in the Middle of Act Three |
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47 |
Plot Progression for Structural Writers |
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47 |
Choosing Your Protagonist & Antagonist |
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47 |
Dramatic Quads & Dramatic Pairs |
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47 |
Character Elements in the Movie, “Jaws” |
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46 |
Subjective Characters and the Objective Story |
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46 |
Dramatica Definition: Non-accurate |
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46 |
Your Thematic Message |
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46 |
Dramatica Dictionary: M |
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46 |
A Word of Warning About Propaganda |
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46 |
Introducing the Story Mind (video) – Part 1 of 113 |
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46 |
Novel Writing Tips: Get Into Your Characters’ Heads |
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46 |
Dramatica Dictionary: K |
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46 |
Archetypal Methodologies |
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46 |
Dramatica Theory Book: Chapter 13 |
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45 |
Success or Failure? |
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45 |
Developing the Obstacle Character’s Plot |
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45 |
Using Character Names from Someone Else’s Story |
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45 |
Characters in “To Kill a Mockingbird” |
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45 |
“Hero” is a Four-Letter Word (Part 2) |
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45 |
Narrative Dynamics (Part 4) |
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45 |
Writing Theme & Genre in Television Series |
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44 |
Plot Points in Example Stories |
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44 |
Story Perspectives |
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44 |
Dramatica Unplugged (Part 4) – The Dramatica Chart |
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44 |
Dramatica Unplugged (Part 7) – Story Structure vs. Storytelling |
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44 |
Unfolding Your Thematic Topic |
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44 |
Be a Story Weaver (Part 3) |
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43 |
Dramaticapedia – “Ability” |
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43 |
Dramatica Dictionary: F |
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43 |
“Illegal” Plot Progressions |
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43 |
Dramatica Definition: Main Character Focus |
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43 |
Storytelling Technique: Meaning Reversals |
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43 |
The 28 Magic Scenes – Part Three |
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43 |
Dramatica Theory Book: Chapter 24 |
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42 |
al Awlaki, the “Uncanny Valley” and Writing Empathetic Characters |
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42 |
Relationship Between Main & Obstacle Characters |
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42 |
Storytelling Technique: Red Herrings |
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41 |
Main Character Throughline |
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41 |
New Book on Archetypes and the Mind |
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41 |
Brainstorming for Structural Writers |
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41 |
The Villain |
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41 |
Conflict Can Limit Your Characters |
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41 |
Scene Creation for Structural Writers |
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41 |
The Objective Story Issue |
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41 |
Blowing the Story Bubble |
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41 |
Plot vs. Exposition |
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40 |
A Story is a Argument |
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40 |
Examples of Main Characters who Change |
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40 |
Levels of the Story Mind |
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40 |
Narrative Dynamics (Part 1) |
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40 |
Dramatica Theory Book: Chapter 29 |
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40 |
Dramatica Theory Book: Chapter 35 |
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40 |
Four Levels of Propaganda |
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40 |
A Story’s Limit: Timelock or Option Lock? |
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40 |
Subplots |
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40 |
A Few Words About Theme |
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39 |
The New Dramatica for Macintosh is Finally Here! |
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39 |
Dramatica Theory Book: Chapter 26 |
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39 |
#6539 (loading title) |
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39 |
Direction of Main Character Growth |
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Start and Stop Characters in the Real World |
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Dramatica Pro 4 – Brainstorming, Part 1 |
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Dramatica Theory Book: Chapter 33 |
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Storytelling Trick 2 – Red Herrings (Changing Importance) |
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How Dramatica is Different from Six Other Story Paradigms |
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Dramatica & Non-linear Game Theory |
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Examples of Stories Concerned with Understanding |
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Psychology, Personality, Persona and Perception |
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Dramatica vs. McKee |
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Dramatica Class 17 |
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Dramatica Class 7 |
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How to Beat Writer’s Block |
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Dramatica Class: Main Character vs. Protagonist |
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More Notes on the Dynamic Model of Narrative Psychology |
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Character Relationships Baselines |
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Dramatica Class 21 |
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God and Dramatica |
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The Story Mind (Part 8) – Writing Remakes |
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New Category – Narrative Science! |
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Dramatica Theory Book: Chapter 34 |
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StoryWeaving, Space & Time |
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Dramatica Theory Book: Chapter 27 |
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Famous Novels’ first sentences mapped! |
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Character Motivation Elements in Star Wars |
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Introducing Characters: First Impressions |
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Dramatica Class 6 |
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Be a Story Weaver (Part 1) |
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50 Sure-Fire Storytelling Tricks! |
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Why Dramatica Works – Part 1 |
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Main Character Mental Sex |
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Dramatica: Out of Balance |
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Origins of Story Structure |
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Character Justifications |
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The Four Throughlines |
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The Cardinal Rule of Storytelling |
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How to Use Dramatica & StoryWeaver Together |
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A Tale is a Statement |
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Storytelling Technique: Out of Sequence Experiences |
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Co-Creator of Dramatica’s Birthday Today! |
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Writing Non-stories |
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Creating Characters: “My Hero!” |
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The Authorless Narrative |
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Character Element Pairs |
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Dramatica Definition: Author’s Proof |
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Matching Character Personalities to Archetypes |
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Screenwriting Tips: Exposition |
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Characters’ Changing Emotional Relationships |
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The Love Interest |
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How to Come Up with Story Ideas |
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Narrative Dynamics 2 – Transmutation of Particles and Waves |
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Revealing Your Goal |
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33 |
Writing Stories about Hopes and Dreams |
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Throughline 3 is Here!!! |
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Quick Tip: Flashbacks and Flash Forwards |
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How Characters Solve Problems |
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33 |
StoryWeaver Story Development Software Walk Through |
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33 |
Introducing the Story Mind (video) |
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33 |
Dramatica Pro 4 – Characters, Part 3 |
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StoryWeaver Tip 1 |
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Your Thematic Topic |
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Breaking Screenplay Format |
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Different Themes in Different Throughlines |
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Dramatica Theory Book: Chapter 23 |
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Character Development Tricks! |
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Write Your Screenplay Step By Step – Now for Kindle |
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Writing from a Character’s Point of View |
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Questions About Act Order in Different Cultures |
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StoryWeaver Fix – Why Files Don’t Seem to Save |
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Elements of Structure – Art of Storytelling |
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Character Assumptions |
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Applying Dramatica to the Real World |
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Dramatica Software: Developing Plot |
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Screenwriting Tips: Don’t Say It! |
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Dramatica Dictionary: H |
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Deus ex Machiavelli |
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Theme: An Emotional Argument |
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The Four Story Problems |
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