Category Archives: Dramatica

You Got Me! (Both Of Us!)

Arthur says: I’m a great Dramatica fan so I’m a bit reluctant to take up Melanie’s challenge to refute the Dramatica Theory. My question was virtually identical to Armando’s but he put it better. Theory without practical application is not … Continue reading

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Symbolizing Concepts

It has been argued that perhaps the symbols we use are what create concepts, and therefore no common understanding between cultures, races, or times is possible. Dramatica works because indeed there ARE common concepts: morality, for example. Morality, a common … Continue reading

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Jurassic Park – Building A Better Dinosaur

One way to improve your writing is to look at a good story and learn from it.  Another way it to see what’s wrong with a bad story and think about how to fix it.  But you seldom see writers … Continue reading

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What Is Dramatica?

What is Dramatica? Dramatica is a theory of story that offers both writers and critics a clear view of what story structure is and how it works. Dramatica is also the inspiration behind the line of story development software products … Continue reading

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Narrative Science and Dramatica

Every once in a while I write an article about the Dramatica theory of narrative structure that zooms right down to the subatomic level. Such articles have absolutely no practical value to writers but, being a narrative scientist, it is … Continue reading

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Secrets of Story Structure | Episode 2 – The Story Mind

Click on the image below to hear episode 2 in this rare recording of a weekend seminar by Dramatica Theory of Story co-creators Melanie Anne Phillips and Chris Huntley in the mid-1990’s just after Dramatica was made public for the … Continue reading

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Dramatica Unplugged | Episode 1 – The Story Mind

From my 113 part course on story structure recorded in 1999…  

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What’s In Your Story’s Mind?

As with people, your story’s mind has different aspects. These are represented in your Genre, Theme, Plot, and Characters. Genre is the overall personality of the Story Mind. Theme represents its troubled value standards. Plot describes the methods the Story … Continue reading

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Why a “Story Mind?”

The Story Mind concept is a way of visualizing story structure that sees every story as having a mind of its own and the characters within it as facets of that overall mind.  So, one character represents the Intellect of the … Continue reading

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Choosing Your Main Character’s Resolve

The Main Character represents the audience’s position in the story. Therefore, whether he or she changes or not has a huge impact on the audience’s story experience and the message you are sending to it. Some Main Characters grow to … Continue reading

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