Category Archives: Dramatica

Choosing Your Main Character’s Resolve

The Main Character represents the audience’s position in the story. Therefore, whether he or she changes or not has a huge impact on the audience’s story experience and the message you are sending to it. Some Main Characters grow to … Continue reading

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Finding Your Story’s Core

By Melanie Anne Phillips Every story has a core – that concept at the center that pulls all of the story elements into a cohesive whole, establishes meaning and message, and provides the story with an overall identity. There are … Continue reading

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The Story Mind (Part 6) – Audience Reach

Excerpted from the Book “Dramatica Unplugged“ By Melanie Anne Phillips, Co-creator of Dramatica Who is your audience? And for that matter, does a single story structure affect all audience members equally? Let’s find out…. In Dramatica, there are some story points that … Continue reading

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The Story Mind (Part 5) – The Grand Argument Story

Excerpted from the Book “Dramatica Unplugged“ By Melanie Anne Phillips, Co-creator of Dramatica Over the years a number of my students have asked how the Dramatica chart can possibly describe the fullness of the human experience, especially since we, as a species, … Continue reading

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Introducing the Story Mind

Watch the entire 113 part  series free on our web site… Transcript of the soundtrack from this video: Dramatica Unplugged Class One: Introduction 1.1 Introducing the Story Mind Let’s look at the central concept in Dramatica: the Story Mind. It’s … Continue reading

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What Is Dramatica?

What is Dramatica? Dramatica is a theory of story that offers both writers and critics a clear view of what story structure is and how it works. Dramatica is also the inspiration behind the line of story development software products … Continue reading

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Dramatica Do-er vs. Be-er

A Dramatica student asks: In Dramatica theory, are all Objective Characters be-ers and all Subjective Characters do-ers? My reply: No, there is no assignment of be-er or do-er to objective characters at all. Objective Characters, such as the archetypes, are … Continue reading

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Can There Be More Than One Protagonist In A Story?

A writer recently asked: I write Western genre screenplays. And I love to use Dramatica Pro. In Western Genre sometime I will run into more than one  protagonist more than one antagonist . I name my antagonist in Dramatica Pro … Continue reading

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Story Structure Help for the Ukraine

A writer in the Ukraine recently wrote me with some questions about the Dramatica theory of narrative structure.  First, his questions (indented) and then my answers below each. Hello! I’m a big “Dramatica” fan from Ukraine! Recently I was struggling … Continue reading

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What Good Is Dramatica?

Chris Huntley and I developed a theory of story structure back in the early 1990’s.  Our theory was all about the relationships among structural story points – like a Rubik’s cube of story structure.  We programmed those relationships – that … Continue reading

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