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Step By StepFollow StoryWeaver's path of 200 interactive Story Cards from concept to completion of your novel or screenplay.
Every step of the way you'll know what you need to do and get examples of how to do it, continually evovling, expanding and improving your story.
You'll develop your story's world, who's in it, what happens to them, and what it all means.
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Category Archives: Author & Audience
Do You Want To Change Your Audience?
Do you want your story to bring your audience to a point of change or to reinforce its current view? Oddly enough, choosing a steadfast Main Character may bring an audience to change and choosing a change character may influence … Continue reading
Posted in Propaganda, Writing Tip of the Day
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The Story Mind (Part 3) – A Story Is An Argument
Excerpted from the Book “Dramatica Unplugged“ By Melanie Anne Phillips, Co-creator of Dramatica So a tale is a simple linear path that the author promotes as being either a good or bad one to take, depending on the outcome. There’s a certain … Continue reading
Posted in The Story Argument, The Story Mind, Writing Tip of the Day
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Introduction to Communication
The process of communication requires at least two parties: the originator and the recipient. In addition, for communication to take place, the originator must be aware of the information or feelings he wishes to transmit, and the recipient must be … Continue reading
Posted in Communication
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A Story is an Argument
By Melanie Anne Phillips There are two principal forms of story structure: the tale and the story. A tale is a statement – a statement that ‘this lead to this lead to that’ and ‘here’s how it ended up’. Using … Continue reading
Posted in The Story Argument
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Dramatica Theory (Annotated) Part 9 “Author’s Intent”
Excerpted from the book, Dramatica: A New Theory of Story Simply having a feeling or a point of view does not an author make. One becomes an author the moment one establishes an intent to communicate. Usually some intrigu- ing … Continue reading
Posted in Communication, Dramatica Theory
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Dramatica Theory (Annotated) Part 8 “Communicating Through Symbols”
Excerpted from the book, Dramatica: A New Theory of Story How can essential concepts be communicated? Certainly not in their pure, intuitive form directly from mind to mind. (Not yet, anyway!) To communicate a concept, an author must symbolize it, … Continue reading
Posted in Communication, Social Narrative, Write Your Novel Step by Step
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Dramatica Theory (Annotated) Part 6 “The Scope of Dramatica”
Excerpted from the book, Dramatica: A New Theory of Story With all these forms of communication, isn’t Dramatica severely limited in addressing only the Grand Argument Story? No. The Grand Argument model described by Dra- matica functions to present all … Continue reading
Posted in Dramatica Theory, Narrative Science, The Story Argument
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Dramatica Theory (Annotated) Part 4 “What is a Grand Argument Story?”
Excerpted from the book, Dramatica: A New Theory of Story A Grand Argument Story is a conceptually complete story with both an emotional and logical comprehensiveness. There are a number of qualities which determine whether a story is a Grand Argument … Continue reading
Posted in Dramatica Theory, The Story Argument
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