Write Your Novel
Step By StepFollow StoryWeaver's path of 200 interactive Story Cards from concept to completion of your novel or screenplay.
Every step of the way you'll know what you need to do and get examples of how to do it, continually evovling, expanding and improving your story.
You'll develop your story's world, who's in it, what happens to them, and what it all means.
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Category Archives: Message
Message and Context
The message of a story comes from context. It is context that eventually convinces Scrooge that his way of looking at the world is incorrect. Yet, before he was shown the bigger picture, his personal experience presented quite a different … Continue reading →
The Four Throughlines in To Kill A Mockingbird
By Melanie Anne Phillips There are four throughlines that must be explored in every story for it to feel to readers or audience that the underlying issues have been fully explored and the message fully supported. Objective Story Throughline: The Objective … Continue reading →
Story Development Tip: Message Reversals
Here’s a tip that can fascinate your readers or audience by setting them up to believe one thing, only to provide additional information that had been withheld and changes their loyalties once revealed. This technique can be seen very clearly … Continue reading →
Posted in Message, Novel Writing, Story Development, Storytelling, Storytelling Tips
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Message Reversals
Message Reversals (Shifting Context to Change Message) When we shift context to create a different message , the structure remains the same, but our appreciation of it changes. This can be seen very clearly in a Twilight Zone episode entitled, … Continue reading →
Story Structure – Part 2 (Video)
Here’s a link to the next class in my 113 part series on story structure. In this episode, we explore how story structure came to be in the first place, beginning with the earliest storytellers and evolving into a linear, … Continue reading →
Narrative Space
“Narrative Space” describes the complete breadth and depth of subject matter in which you seek to define a story. Simply put, most authors don’t come to a story with a complete structure immediately in mind. Rather, they are attracted to … Continue reading →
Posted in Message, Story Development, Story Structure, The Story Argument
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Both Sides of the Thematic Argument
Every powerful theme pits a “Message Issue” against a “Counterpoint”, such as “Greed vs. Generosity”, or “Holding On To Hope” vs. “Abandoning Hope”. The Message Issue and Counterpoint define the thematic argument of your story. They play both sides of … Continue reading →
The Purpose of Stories
This is the purpose and function of story: to show that when something has previously served you well one hundred percent of the time, it may not continue to hold true, or conversely, that it will always hold true. Either … Continue reading →
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