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Category Archives: Dramatica Concepts
What’s In Your Story’s Mind?
As with people, your story’s mind has different aspects. These are represented in your Genre, Theme, Plot, and Characters. Genre is the overall personality of the Story Mind. Theme represents its troubled value standards. Plot describes the methods the Story … Continue reading
Posted in Dramatica Concepts, Narrative Science, The Story Mind
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Secrets of Story Structure #1 – Introduction
Secrets of Story Structure Part 1 – Course introduction Overview of the course and outline of its purpose. http://storymind.com/page407.htm
Posted in Dramatica Concepts
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The “Influence Character” in a Nut Shell
Stories have a mind of their own, as if they were a person in their own right in which the structure is the story’s psychology and the storytelling is its personality. Characters, in addition to acting as real people,, also … Continue reading
Posted in Dramatica Basic Concepts, Dramatica Concepts, Featured Articles, Narrative Psychology, Obstacle Character, Story Psychology, The Story Mind
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Using Main Character Resolve
Just because a Main Character ultimately remains steadfast does not mean he never considers changing. Similarly, a Change Main Character does not have to be changing all the time. In fact, that is the conflict with which he is constantly … Continue reading
Posted in Character Growth, Dramatica Concepts, Main Character
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Using Forewarnings
Whether or not the characters are aware of them, the audience will need to see forewarnings that indicate the approach of the Consequences. Forewarnings describe the kind of items that can be used to indicate approaching Failure. One way to … Continue reading
Posted in Dramatica Concepts, Plot Points
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Word Salad: Slicing and Dicing Story Structure
A writer recently asked: I’ve read what you wrote about slicing and dicing the Dramatica chart on your web site and in Dramticapedia. It’s very interesting. Two questions if I may: * Limiting depth: “When you limit depth, you simple … Continue reading
Posted in Dramatica Concepts
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Relationship of Story Driver to Journeys
Recently, a writer asked about the relationship of the Story Driver to the three Journeys in every throughline. Here’s my response: The Story Driver is one of the eight dynamic questions (the eight “essential” questions) that Dramatica asks, including Main … Continue reading
Posted in Dramatica Concepts, Signposts & Journeys
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Sequences, Variations, and Acts
A Dramatica user just asked: I have reached a small roadblock in reference to SEQUENCE, in terms of a division of ACT and organization of SCENE. The term is not covered in your Dramaticapedia pages nor in your theory book … Continue reading
Posted in Dramatica Concepts, Sequences
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Choosing a “Concern” for Your Story
The Concern of a story tends to revolve around a definable area of activity or exploration. This central hub may be internal such as Memory or Conceiving (coming up with an idea). Or, it may be external such as Obtaining … Continue reading
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Choosing an Objective Domain for Your Story
The Objective Story Domain is the throughline which describes how all of the story’s characters have been brought together. By choosing this Domain, the author sets the background against which the story will be told. Therefore, its influence is gently … Continue reading
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