Examples of Stories Concerned with “The Future”

STORIES that have an Objective Story Concern of The Future:

Boyz N The Hood: During his gentrification speech in Compton, Furious points out to Tre, Rick, and the others they must start thinking about their future; as parents, Furious and Reva are concerned for their son’s future; Brandi is concerned with her future college education; Rick is concerned about his future in college and football; Tre is concerned with his future in college and a future with Brandi; Brenda Baker is concerned for her son Rick’s future, and believes her son Doughboy’s future is hopeless.

Braveheart: Longshanks is concerned that if the French see that England cannot subjugate the entire island, there will be very little future for English interests and influence on the continent. William and his men are concerned that the Scots and their culture will have no future if they are ruled by England. The Scottish lords are concerned that if they support Wallace, Longshanks will take away all they have–even their very lives.

Charlotte’s Web: The doctor is able to reassure Mrs. Arable about Fern’s future; Wilbur does not want to die, “‘I want to stay alive, right here in my comfortable manure pile with all my friends'” (White, 1952, p. 51).

The old sheep points out to Templeton why he should be concerned about Wilbur, and consequently his own future:

“Wilbur’s leftover food is your chief source of supply, Templeton. You know that. Wilbur’s food is your food; therefore Wilbur’s destiny and your destiny are closely linked. If Wilbur is killed and his trough stands empty day after day, you’ll grow so thin we can look right through your stomach and see objects on the other side.” (White, 1952, p. 90-91)

The Fugitive: Dr. Kimble is concerned with his future (or lack of it) if he cannot clear his name. Dr. Nichols is concerned with his future as a board member of the large pharmaceutical company. The police are concerned with the future safety of the public if the fugitive(s) remain at large. The large pharmaceutical company’s future will be greatly impacted by the success of its new product, RDU90.

The Glass Menagerie: The security of Laura’s future seems to be directly tied to the future well being of the family. SCENE ONE: Amanda is preoccupied with Laura’s future and Laura’s inability to take of herself — (Amanda to Laura) “Stay fresh and pretty! — It’s almost time for our gentlemen caller to start arriving.” Followed closely by AMANDA: “…Mother’s afraid I’m going to be an old maid.” When Amanda finds out Laura has stopped going to business school, she says to Laura, “So what are we going to do the rest of our lives? Stay home and watch the parades go by?….Is that the future that we’ve mapped out for ourselves?” SCENE TWO: AMANDA: “What are we going to do, what is going to become of us, what is the future?” Scene Four has Amanda asking Tom to look for a gentleman caller for Laura at his work; Scene Five has Tom inviting Jim to dinner; and Scenes Six and Seven the gentleman caller comes to dinner and makes a “call” on Laura.

The Graduate: The future can be summed up in one word. Plastics. Everyone has high hopes for Ben’s future. He clearly has a great future ahead of him, possibly as a partner in Dad’s firm, maybe even marrying Elaine. The future looks so bright. . . Which is why everyone is concerned that Ben appears to be wasting all of his time doing “God knows what,” instead of taking the bull by the horns and setting goals. Elaine is also concerned with her future, graduating from college, marriage (to Ben or Carl), her relationship with her parents if she continues to see Ben, etc.

Pride and Prejudice: The objective characters are concerned with their marriage prospects. This concern is illustrated by the Lucas family, after Mr. Collins asks for Charlotte’s hand:

Mr. Collins’ present circumstances [as heir to the Bennet estate] made it a most eligible match for their daughter . . . his prospects of future wealth were exceedingly fair. Lady Lucas began directly to calculate with more interest than the matter had ever excited before how many years longer Mr. Bennet was likely to live . . . .The younger girls formed hopes of coming out a year or two sooner than they might otherwise have done; and the boys were relieved from their apprehension of Charlotte’s dying an old maid. (Austen 105-106)

Revenge of the Nerds: The purpose of the characters’ actions lie in trying to obtain a future state, from heading up the Greek Council, to graduating from college.

Sula: The black community of the Bottom wants a better future for itself, one way they think this can be attained is by sharing in the work of the New River Road; Helene, under the supervision of her grandmother, marries Wiley Wright and moves to Medallion to avoid a future of living with the stigma of her mother’s prostitution; Eva Peace is desperate enough to stick her leg in front of an oncoming train to collect insurance money that will provide for her family’s future.

The Verdict: The relatives want a settlement to secure the comatose woman’s care and for their own future financial security; the doctor’s are concerned with their future careers — or lack of– if they are found negligent; the church is concerned with the future of the hospital and its reputation; the attorney’s on both sides share each of their respective clients concerns for the future; the judge is concerned with being re-elected.

Washington Square: Catherine is concerned with a future as Morris’ wife; Dr. Sloper is concerned with Catherine marrying the right man; Morris is concerned with his financial future; Aunt Penniman is concerned with staying in Doctor Sloper’s good graces so that she may not be turned out in the future; and so forth.

Witness: The Amish are concerned with getting Rachel another husband within one year of her husband’s death; The Amish elders are worried about the resulting disruption if Book dies on them; Rachel fears for Samuel’s safety if Book is tracked down; Schaeffer and his men know their lives are over if Samuel lives to testify against them; Daniel wants a future married to Rachel; Book’s out to bring Schaeffer down.

Excerpted from
Dramatica Story Development Software

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