Stories with Male Mental Sex Main Characters

STORIES that have Mental Sex of Male:

A Clockwork Orange: Alex evaluates matters primarily by cause and effect. When Alex wants something, he simply goes out and gets it. If he needs money, he steals it; if he wants to let out aggression, he beats people up; if he wants sex, he rapes; if his droogs do not listen to him, he teaches them a lesson; wanting to leave prison, he sees the Ludovico treatment as the way out, not as the process it places him in.

The Age of Innocence: Newland moves to solve problems by using linear thinking. When he realizes at the opera that May and her family support Ellen, he immediately goes to the box and suggests announcing his and May’s engagement that very evening to add his family’s support as well; when Mrs. Mingott’s dinner invitations are turned down, he goes to the van der Luydens and convinces them to support Ellen; after Newland learns that Ellen is visiting nearby in Portsmouth, he immediately voices a plan to buy a new horse so that he can travel to see Ellen; he then tracks her down and finds her in Boston.

All That Jazz: Joe evaluates problems in terms of cause and effect. For example, when he comes across organs preserved in formaldehyde, he jokes:

Listen . . . I told you guys you should take better care of yourselves. Too much booze . . . too much smoking . . . too much screwing around . . . it’ll get ya every time. (Aurthur and Fosse 120)

Amadeus: Salieri solves his problems using cause and effect techniques. Once he has perceived Mozart as the problem, he methodically begins his years long campaign of destruction. And he is sure that it will result in resolving the problem.

Apt Pupil: Todd has a linear way of thinking, as illustrated when Rubber Ed asks how it all happened, “‘Oh, one thing just followed another,’ Todd said…’That’s really how it happened. One thing just…followed another'” (King, 1982, p. 285).

Barefoot in the Park: Paul solves problems by taking steps, for example, he comes to the realization that his controlling behavior is responsible for his imminent divorce. He decides to lose control by getting “Lousy, stinkin’ drunk!” and taking on Corie’s madcap ideas:

Paul: Hey, Corie….Let’s do that thing you said before….Let’s wake up the police and see if all the rooms come out of the crazy neighbors…I want to be a nut like everyone else in this building.

Being There: Chance uses the male problem solving technique of cause and effect. For example, when faced with threatening gang members, he attempts to turn them off with a television remote control.

Blade Runner: Deckard follows clues leading to the replicants in a linear problem-solving technique, and also uses binary reasoning:

DECKARD: Replicants are like any other machine. They can be a benefit or a hazard. If it’s a benefit, it’s not my problem.

(Fancher and Peoples, p. 12A)

Body Heat: Ned sees each problem as a separate hurdle to jump–each with its own issues, costs, and benefits. As such, Ned is completely blinded to the “bigger picture” of Mattie’s con and consistently falls prey to her manipulations.

Boyz N The Hood: Tre tends to view problems in a linear way, without considering the big picture. In his relationship with Brandi, he wants to take the immediate step of having sex with her, without regard to the consequences that could adversely affect their relationship. For example, Brandi could become pregnant, impeding their college plans and creating a financial struggle to maintain an income necessary to provide for a child. When Tre seeks revenge for the death of his friend, he does not immediately recognize the action will also put himself in danger.

Braveheart: Wallace throws his whole effort into vanquishing the cause of Scotland’s (and his own personal) misery–English rule and Longshanks’ treachery.

Bringing Up Baby: David is not one to see the big picture. He has a tendency to look only at the effects and causes of his circumstances and doesn’t appreciate the process until it is all over. He looks at the effects of Susan’s actions and blames her for all of his problems. He does not understand, nor have patience, for Susan’s decidedly non-linear way of thinking.

Candida: Morell thinks linearly; when his marriage is threatened he considers nothing but the threat itself; if he had put the threat in perspective of his happy marriage, he would realize the danger never existed.

Casablanca: A linear thinker, Rick jumps to the conclusion that Ilsa left him in Paris because she loved Laszlo more. When he decides to help Laszlo and Ilsa, he takes a logical series of actions that ensure they will be able to escape without interference from the police or the Nazis.

Charlotte’s Web: Wilbur evaluates problems in terms of cause and effect; for example, when he escapes his pen, it causes an uproar.

Chinatown: Jake looks for clues to see where they will lead him. Though this helps him locate and identify Evelyn’s daughter/Noah’s granddaughter, he misses the big picture (the intermingled relationships) that a person using female mental sex problem solving techniques might have picked up.

The Crucible: John focuses on what is the specific cause of a problem, without considering all other possibilities.

Proctor: . . . I know the children’s sickness has naught to do with witchcraft.

Hale: Naught to do–?

Proctor: Mr. Parris discovered them sportin’ in the woods. They were startled and took sick.

Hale: Who told you this?

Proctor: Abigail Williams.

Hale: . . . Abigail Williams told you it had naught to do with witchcraft! Why–why did you keep this?

Proctor: I never knew until tonight that the world is gone daft with nonsense. (Miller 68)

El Mariachi: El Mariachi understands his problem of being pursued is caused by a case of mistaken identity.

Four Weddings And A Funeral: Charles tries to solve problems by looking at causes and their effects. Unfortunately for him, there isn’t always a clear cut relationship between the two which makes solving his problems very difficult. For example, when he first discovers that Carrie is engaged to Hamish, he immediately (in his conversation with Matthew) tries to figure out what he’s been doing wrong.

The Fugitive: Dr. Kimble is trying to find out who was responsible for his wife’s murder, and the reasons behind the heinous act, by locating the information that leads back to the killer.

The Godfather: Michael uses a linear, cause and effect manner of looking at problems. He sees the relations of all the families as different links in one hierarchy of power, completely ignoring the holistic effects the families’ methods have on the women and children who are, in his eyes, “not involved.” His keen sense of logic is what allows him to see that he is the perfect candidate to kill the “Turk.” He sees a very binary relationship between people who are “in” the family vs. people who aren’t, warning Fredo never to take sides against the family. He is also able to ultimately convince himself that his “business” has nothing to do with his wife and that because she is “not involved” she should not ask him about it.

The Graduate: Ben tends to solve problems from a very linear, cause and effect perspective, without paying much attention to the big picture.

The Great Gatsby: Nick uses the problem solving technique of cause and effect.

Hamlet: Hamlet tends to use male mental sex problem solving techniques as illustrated in his attempts to gather evidence that “there is something more deeply amiss than his mother’s overhasty marriage to her deceased husband’s brother. . .” (Bevington xx).

Harold and Maude: When Harold sees the effect his supposed death has on his mother, he causes it to happen again and again in a bid to get her attention; to avoid being drafted, he causes his uncle to think he has psychotic tendencies.

Heavenly Creatures: Pauline applies cause and effect reasoning to her encounter with the child psychologist, having him killed by Diello in her imaginary world; with Juliet, she’s worked out the Borovnian “entire royal lineage for the last five centuries”; desperate to go overseas, Pauline takes steps to make in happen–stealing silverware for the fare, applying for a passport, etc.; distressed over the one obstacle standing in her way, Pauline causes an effect–her mother’s death–having carefully worked out the steps of the murder plan.

Klute: Klute uses the linear reasoning techniques of the policeman that he is, tracking down anyone known to have contact with Tom and gathering evidence.

Lolita: Humbert uses the male mental sex problem solving technique of cause and effect. For example, he impresses upon Lolita exactly what will happen to her if she tells anyone the true nature of their relationship:

“. . . A nice grim matron . . . the reformatory, the juvenile detention home . . . By rubbing all this in, I succeeded in terrorizing Lo . . .” (Nabokov 138-9).

Othello: Othello moves to solve his problems by using linear thinking. When Brabantio accuses Othello of using witchcraft to seduce Desdemona, Othello suggests that she be summoned to give evidence of their courtship. When he’s disturbed by the commotion during the celebration, Othello demands the witnesses identify those responsible, weighs the evidence, and metes out a punishment. When Iago accuses Desdemona of adultery, Othello asks for proof. Having been presented with “evidence” Othello accepts it on face value, without considering why Iago is defaming Desdemona, or contemplating the larger issues surrounding the accusation.

The Philadelphia Story: Tracy is a goal setter. She immediately looks at causes and effects, and tries to solve problems in a very linear manner.

Quills: Abbe de Coulmier evaluates events as cause and effect. He sees each problem he has with The Marquis as a new issue, to be handled separate and apart from the last. This problem solving method fails, as The Marquis is able to counter his efforts with his own holistic methods.

Rain Man: Charlie, using linear thinking, attacks his problems straight on. He puts one business fire out at a time; when the EPA officials bug him, he considers paying them off; when his buyers want to back out of the deal, he gives them a discount; when his loan is due, he gets an extension; when his inheritance is given away, he finds out who got it and tries to make a deal. When Dr. Bruner doesn’t give Charlie his half of the inheritance, he keeps Raymond, something they want, until he gets what he wants.

Rebel Without a Cause: Jim tends to use the technique of binary reasoning to problem solve. As an example, he demands yes or no answers from his parents. He also looks at problems in terms of cause and effect. For example, he believes his mother runs the family because his father won’t stand up to her.

Reservoir Dogs: When Mr. White is confronted with a problem, his solution is to pull out his gun and eliminate the cause. He comforts the injured Mr. Orange by telling him not to worry, “it takes days to bleed to death” from gunshots to the stomach.

Revenge of the Nerds: Lewis’s first way of understanding anything is structural and he is able to objectify any problem or idea. He sees getting a house as a set of steps which he tackles one at a time. When he seduces Betty by pretending to be her boyfriend in a mask, he sees it as an act of obtaining her, rather than a process of deceiving her.

Romeo and Juliet: Romeo uses cause and effect problem solving techniques. As an example, in his first scene with Benvolio, he explains Rosaline’s cold heart is the cause of his morose behavior–he does not look beyond this to determine the real reason for his unhappiness–that he has not yet found true love.

The Silence of the Lambs: Clarice methodically follows up each clue provided by Hannibal Lecter and others to gather evidence that eventually leads her to Buffalo Bill.

The Simpsons Christmas Special: Homer uses the male problem solving techniques of cause and effect. As an example, he thinks by taking a part-time job, he will earn enough money to buy gifts. He is quite dismayed later to discover the big picture–gross pay minus many deductions equals minimal net pay.

All Good Things (Star Trek: The Next Generation): Picard chooses to “CAUSE AND EFFECT” by solving the problem of the paradox and saving mankind.

Star Wars: Luke is extremely goal (and results) oriented.

The Sun Also Rises: Jake is goal oriented, as exemplified by his focus on the possibility of winning Brett. He doesn’t see the big picture–that is, he can’t see that his physical impairment will never change and that she will never be able to accept it. He tries to pull it all together by always being available to her and her needs, and by continually pleading with her to stay with him.

Sunset Boulevard: Joe tends to solve problems by using linear thinking: When his car is about to be repossessed, Joe tries to sell a story to a producer, when that effort fails he asks for money from everyone he knows to make the payments; when he feels suffocated by Norma on New Year’s Eve, he leaves to find a happier party; when offered a chance to work on one of his stories that might sell, Joe sneaks out of Norma’s house to develop the idea; when he decides that he’s no good for Betty, he disgusts her into forgetting about him and marrying a better man.

Taxi Driver: When Travis decides to act on the idea of “True Force” that’s been building up in his brain, he gets “organezized” and breaks the job down into steps: he buys an arsenal of guns; he does physical exercise; he practices at the shooting range; he clips articles on Palantine; he practices drawing his weapons; he cuts his hair into a Mohawk; etc.

To Kill a Mockingbird: Scout considers each problem she comes up against as a separate issue, not realizing the connections that make up a bigger picture.

Tootsie: Michael tends to solve his problems using linear thinking: He needs money to produce Jeff’s play and tells his agent he’ll do anything to get it, even appear in commercials. When he’s told he’s unemployable as a actor, he poses as an actress to get an audition for “Southwest General.” After he lands the job, Michael devises a step-by-step morning routine to transform himself into Dorothy, and creates an allergy story to avoid the studio makeup person. When informed that his soap opera character is a wimp, Michael solves the problem by improvising Dorothy’s lines on the spot–without consulting the show’s producer or writers.

Toy Story: Woody is almost entirely focused on the effects he wants to achieve and how to directly cause them; “balance,” “surplus,” and “deficiency” rarely enter his considerations. His very linear approach is most dramatically demonstrated when he thinks, “Hmm, if I cause Buzz to disappear behind the desk, Andy will have to pick me to go to Pizza Planet, and I’ll win his favor back.” He then attempts a very simple cause-and-effect operation to use RC Car to push Buzz off the desk, but fails to see the relationships among the objects on the desk that will make his plan go awry. He also fails to consider how his actions will tip the delicate balance of public opinion against him. Later, however, when he pulls the mutant toys together and lays out a very linear, step-by-step strategy to save Buzz from Sid, his Male approach is very effective.

Unforgiven: Munny uses cause and effect, linear reasoning. Having trouble with animals, he figures that:

MUNNY: Now this here horse is gettin’ even on me… hold on gal… for the sins of my youth… before I met… your dear-departed mother… I was weak an’ givin’ to mistreatin’ horses an’ such. An’ this here horse… an’ that ole pig, too, I guess… is my comeuppance for my cruelty…

(Peoples, p. 21)

When he can’t hit a coffee can with the pistol, he switches to a shotgun; told that Little Bill caused Ned’s death, Munny eliminates him.

The Verdict: Frank tries to determine the cause of Ms. Kay’s condition by examining the effects.

Who’s Afraid of Virginia Woolf?: George formulates a plan to end one particular game (the fantasy of their son) and takes steps to bring it to fruition.

When Harry Met Sally: Harry does not need to be fulfilled mentally when seeking a solution to a problem. He needs only to be satisfied.

X-Files: Beyond the Sea: Scully approaches problems using linear thinking: She decides that since her father never told her he was proud of her being in the FBI, he must not have been; follows clues to an abandoned warehouse and finds evidence; decides that with only three days left to save the teenagers, they must deal with Boggs to get information; reasons that because Mulder was shot, Boggs must have orchestrated the attack.

Excerpted from
Dramatica Story Development Software

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