Dramatica Theory Book: Chapter 38

Dramatica: A New Theory Of Story By Melanie Anne Phillips & Chris Huntley Chapter 38 Storytelling: Reception and Adaptation     A Word About Adaptation “Read the book; see the movie!” “Now a major motion picture!” “A novelization…” “A new musical based on the stage play…” “…based on the book…” “…based on the hit movie!” “The timeless […]

Dramatica Theory Book: Chapter 37

Dramatica: A New Theory Of Story By Melanie Anne Phillips & Chris Huntley Chapter 37 Storytelling: Reception & Propaganda A Quick Lesson in Propaganda Propaganda, n. 1. any organization or movement working for the propagation of particular ideas, doctrines, practices, etc. 2. the ideas, doctrines, practices, etc. spread in this way. (Webster’s New Twentieth Century […]

Dramatica Theory Book: Chapter 34

Dramatica: A New Theory Of Story By Melanie Anne Phillips & Chris Huntley Chapter 34 Storyweaving & Storytelling There are two kinds of storytelling: techniques, those that affect the arrangement of things (spatial) and those that affect the sequence of things (temporal). In Dramatica theory, we have cataloged four different techniques of each kind. Spatial […]

Dramatica Theory Book: Chapter 33

Dramatica: A New Theory Of Story By Melanie Anne Phillips & Chris Huntley Chapter 33 Storytelling, Storyweaving & Structure STORYWEAVING and STRUCTURE Part of the purpose of Storyweaving is to communicate the underlying dramatic structure or message of a story. The other part is to make that process of communication as interesting and/or effective as possible. In […]

Dramatica Theory Book: Chapter 31

Dramatica: A New Theory Of Story By Melanie Anne Phillips & Chris Huntley Chapter 31 Storytelling & Encoding Genre Encoding Genre As previously discussed, Genre is only slightly influenced by a storyform. This is because only four appreciations have a structural influence on Genre: the four Domains. Once each Domain has been encoded, all the rest of […]