STORIES that have an Objective Story Domain of Physics:

A Doll’s House: Nora endeavors to maintain a happy marriage; Mrs. Linde comes to town looking for work (and Krogstad); Krogstad attempts to save his job and rehabilitate his nature; Torvald prepares to take on the position of bank manager; Dr. Rank readies himself for death.

All That Jazz: For the most part, all the objective characters are participating in the endeavor to put on the stage production of NY/LA and/or the film The Standup. Paul is composing music; Audrey is reading the script and trying out new dance steps; dancers are rehearsing; Jonathan and Stacy are involved in the film’s post-production; and so forth.

Blade Runner: Blade runners are in the business of tracking down escaped replicants, who in this story are engaged in tracking down their creator.

Body Heat: Mattie’s con job is a long term plan of various activities that include assuming a friend’s identity, seducing Ned Racine (an attorney with a disreputable past), knocking off her husband, killing the friend whose identity she “borrowed,” gaining exclusive possession of her husband’s fortune, faking her own death, and framing Ned for the entire event. Everyone else in the objective story is brought together by these activities and it is a problem within the activities that concerns them.

Bringing Up Baby: The problems in Bringing Up Baby revolve around a variety of activities including trying to obtain a million dollar donation for the museum, searching for the lost intercostal clavicle, hunting for a pair of leopards, tossing rocks at Mr. Peabody, etc.

Bull Durham: Baseball. While not inherently problematic, the problem in the story lies in the fact that everyone is absolutely obsessed with baseball (or more specifically, with not losing any games), to the detriment of personal growth. Everyone but Jimmy–who manages to change Millie–which in turn becomes an indicator that happiness is possible outside of baseball.

Candida: Morell and Marchbanks rival for Candida; Burgess endeavors to ingratiate himself back into the Morell household; Lexy attempts to emulate Morell by endeavoring to copy his mannerisms:

Proserpine: You never cut a poorer figure than when you try to imitate him.

Lexy: I try to follow his example, not to imitate him.

Proserpine: Yes, you do: you imitate him. Why do you tuck your umbrella under your left arm instead of carrying it in your hand like anyone else? Why do you walk with your chin stuck out before you, hurrying along with that eager look in your eyes? you! who never get up before half past nine in the morning. (Shaw, 1895, p. 497)

Casablanca: Casablanca is a seething hotbed of activity: Rick tries to peacefully run his nightclub; Renault chases petty crooks and beautiful women; refugees trade their valuables to buy exit visas; Laszlo and Ilsa look for safe passage to America; Strasser works to prevent Laszlo from leaving town; Ugarte thieves and schemes; Ferrari trades on the black market; etc.

El Mariachi: Moco and Azul wage their war, and in a case of mistaken identity, El Mariachi is inadvertently a part of it.

The Godfather: The problem which involves all of the objective characters has to do with the activities of the feuding New York families. The Objective Story involves the disruption of the power structure among these families, and the search to establish a new “Godfather” who can sort it all out.

I Love Lucy: Lucy endeavors to tell Ricky the news of her pregnancy; Ricky manages a nightclub; the band rehearses for the evening’s show; and so forth.

Lawrence of Arabia: The story takes place in the Middle East theater of World War I, involving the British endeavor to defeat the Turks and weaken the Germans. Lawrence must accomplish great feats of physical endurance, travel extensively, and engage in much fighting and bloodshed with the Arabs.

Rain Man: Charlie strives to sell his cars; get his father’s money; travel to Los Angeles with Raymond; save his business. Raymond rearranges his environment in an exact way to suit him; catalogs Charlie’s infractions against him in a notebook; devours television shows; counts, remembers and analyzes almost everything he sees. Mr. Mooney administers Sanford Babbitt’s will. Dr. Bruner works to get Raymond back. Susanna works to convince Charlie to value Raymond as family, and to make Raymond comfortable away from Walbrook. Lenny works to salvage the car deal.

Reservoir Dogs: The story in Reservoir Dogs revolves around a jewelry heist. When the robbery is bungled, the “colored men” endeavor to find out who the “rat” is.

Romeo and Juliet: Problems in the objective story are derived from activities and endeavors, principally to do with the ancient grudge between the Capulets and Montagues, and Friar Lawrence’s attempt to reconcile the two families. Gibbons explains:

Shakespeare makes the plot depend crucially on messages. He invents the episode in which Romeo, Benvolio, and Mercutio learn by accident from Capulet’s illiterate servant of the proposed ball. This scheme is repeated when the Nurse haphazardly encounters the young gallants, and Romeo lightheartedly identifies himself amidst the bawdy mockery of his friends. Later, the Nurse brings Juliet a happy reply (II,v). In the second, tragic, movement of the play, the Nurse brings Juliet the news of Tybalt’s death and Romeo’s banishment . . . . Shakespeare stresses in both scenes the ease with which messages can go wrong; so Juliet at first thinks it is Romeo, not Tybalt, whom the Nurse saw bedaubed in gore-blood. . . . In the closing movement of the play Balthasar brings Romeo the false report of Juliet’s death (v.i); immediately afterwards, as Romeo leaves the stage by one door, bearing a phail of poison, Friar John enters by another to begin the next scene by telling Friar Laurence how he failed to get through with the message that Juliet is drugged, not dead. (41-42)

Rosemary’s Baby: The objective story takes place against the endeavor to bring Satan into the world in the form of a baby. The cult makes a deal with Guy to coerce his wife into bearing Satan’s child. Guy stakes his future career on this agreement. The entire cult participates in the rape. Minnie makes herb drinks and cakes; she checks in on Rosemary at all times. Guy rushes home to stop Hutch from interfering with the cult. Rosemary’s friends try to tell her what a pregnancy should be like, encouraging her to take action. Tension increases as Rosemary begins to discover the truth. She runs away, thinking Dr. Hill will help. The cult immediately forces her back, drugs her, and takes away her newborn. Rosemary takes the initiative to find the baby, and upon discovering that it is the Devil–she attempts to kill it. The baby cries out for his mother, thereby saving his own life.

All Good Things (Star Trek: The Next Generation): Picard and the crew are searching for a meaning to Picard’s time-shifting and its relation to the spatial anomaly in the Devron System.

Star Wars: Star Wars is about a war between the Empire and the Rebellion. There is not any set place where this needs to take place, but is an exploration of the feints, attacks, and battles that occur between the two forces.

The Sun Also Rises: The action is fragmented and jerky. All of the characters are constantly hopping from place to place in an aimless pattern–from bar to bar, from France to Spain, in taxis and trains, limousines and cars. No longer willing or able to stay in one place, they are transients seeking escape through frivolous diversions.

Unforgiven: William Munny endeavors to provide for his two children in the face of poverty and sickness; the whores initiate a reward as a means to exact revenge on the slashers; Kid Schofield sets out on an enterprise to prove himself a tough guy; WW Beauchamp ventures out to experience the Wild West firsthand; etc.

The Wild Bunch: The members of the Wild Bunch are concerned with robbing the railroad, trying to make one last big score; Harrigan, Thornton, and the bounty hunters track the Bunch down and set traps for them; Mapache wages war against Villa’s forces and tries to improve his arsenal.

Excerpted from
Dramatica Story Development Software

A Clockwork Orange: The objective characters are caught up in untenable situations: uncontrolled lawless youths terrorize society; Alex is imprisoned for murder and brainwashed through the complex machinations of those around him–his fellow droogs, a crazed writer, and a crafty politician; Alex’s bedroom and the affection of his parents has been usurped by a fawning lodger; etc.

The Age of Innocence: All of the objective characters exist in an environment governed by strict rules of behavior and dress. They find themselves in a situation where social etiquette must be obeyed at all costs. Ellen Olenska adjusts to her new environment under the close scrutiny of family and acquaintances. Mrs. Mingott tries to protect Ellen by taking her granddaughter into her home and inviting society friends to a dinner party to introduce her, but is snubbed. May Welland adheres to every convention a proper young woman should to be accepted by her peers. Newland Archer is everything expected of a cultured gentleman: he practices law, travels Europe, collects books, belongs to a men’s club, is engaged to a prominent woman of his own class. Larry Lefferts represents everything the proper gentleman should look like. Sillerton Jackson guards the established code of conduct by being an expert on the lineage of all the best families in society. Mrs. Archer and Janey act according to their station as a society widow and an unmarried woman, respectively.

Boyz N The Hood: Everyone in the hood is stuck in a bleak situation that appears hopeless (e.g. violent crime, drugs, harassment by the police, and so forth).

Braveheart: England has taken Scotland for itself, attempting to suppress the natives through harsh and unjust laws. The Scots fight for what is rightfully theirs.

Charlotte’s Web: As part of the cycle of life on a farm, Wilbur will ultimately be put to death.

Chinatown: Many years ago, Noah Cross had relations with his daughter, Evelyn, and got her pregnant. To protect Evelyn from scandal (and because he was a caring person), Cross’ business pal, Hollis Mulwray, took Evelyn to Mexico where she had her baby. Hollis eventually married Evelyn. Now, Hollis and Evelyn are back in Los Angeles where Hollis is the head of the Department of Water and Power. His interests (and those of the Angelenos) is in direct conflict with Noah Cross’ plans for making lots of money by buying up the San Fernando Valley and then annexing it to L.A. County to get cheap water for irrigation. The family troubles become intertwined with the business troubles and it is left up to a private investigator to sort the mess out.

The Fugitive: A murder in Chicago has taken place. An innocent man has been accused, tried, and convicted for the crime.

The Glass Menagerie: The Wingfields are tied to their tiny abode in St. Louis because of their struggle against poverty and the burden of Laura Wingfield’s status as a not-yet-but-soon-to-be “old maid.”

The Graduate: Ben Braddock has arrived home from college, as a hero. Everyone has high hopes for his future and seem very concerned that Ben appears to be putting off his future–wasting his time “floating around.”

The Piano Lesson: The objective characters exist in an environment that’s tainted by the piano which represents their tragic past, and serves as a reminder of the lowly station they hold as black people in America. They find themselves in a situation where they must find self-actualization within the narrow opportunities allowed them in a racist society. Avery accepts a “good” job as an elevator operator in a downtown skyscraper to have a chance of founding his own church. Doaker is content with his career as a railroad cook. Lymon hopes to improve his situation by finding a job unloading boxcars in Pittsburgh, as opposed to being fined for “not working” down home in Mississippi. Berniece works as a domestic, one of the few occupations open to black women. She accepts that this is the best that she can do, but is training her daughter to become a teacher.

Platoon: The American military is in Vietnam attempting to defeat the Viet Cong and prevent the spread of communism, which creates a state of war within this country.

Pride and Prejudice: The objective story explores the particular social customs and manners of England’s upper class in the early nineteenth century. An example of a social custom is voiced by Lady Catherine: “Young women should always be properly guarded and attended, according to their situation in life” (Austen 179). The situation the Bennet family finds themselves in is, with five daughters and no male heir, their estate is entailed to their priggish cousin Collins. To secure their future, it is necessary for the Bennet girls to marry well.

Revenge of the Nerds: The (nerds) Tri-Lamdas and the Alpha-Betas are caught up in a situation–a power struggle in the Greek system at Adams.

The Silence of the Lambs: Faced with the predicament of a serial killer on the loose and no clues to his identity, the FBI enlists the advice of another serial killer in an effort to put an end to the situation.

The Simpsons Christmas Special: The predicament the Simpsons find themselves in is a Christmas without gifts. Homer’s Christmas bonus is denied, and the family Christmas savings are used to remove Bart’s tattoo. Marge’s sisters put pressure on the situation, contemptuous of Homer and highly skeptical that he can bring his family Christmas joy:

Patty: It’s Christmas? You wouldn’t know it around here.

Homer: And why is that?

Selma: Well, for one thing, there’s no tree.

Sula: “Sula” explores a negative situation that, once established, does not change:

The Bottom is established, beautiful but unable to nourish the inhabitants…the community must direct both creative and destructive energy inward. Since its contributions to Medallion and the rest of the world must be limited and menial, and since it cannot express the resulting frustration, the community becomes enmeshed-intensely nurturing and as intensely restrictive and destructive. (Pollock, 1986, p. 1550)

Taxi Driver: All the characters are concerned with the level of crime and corruption on the streets of America’s cities: Travis wants to flush the streets of “filth and scum, scum and filth”; Wizard and the other drivers are worried about attacks on cabbies; Sport and Iris depend on the unchanging situation for their lifestyle; Tom wants to push the issues that will change society, while Betsy wants to push the man–Palantine, who offers only empty promises in order to get elected:

PALANTINE: I know what you mean, Travis, and it’s not going to be easy. We’re going to have radical changes all throughout city and municipal government.

(Schrader, p. 40)

Toy Story: All concerns, problems, and considerations exist within a “universe” where toys come alive and interact when they are alone amongst themselves, forming a community and making lives for themselves within the context of the child’s room. The fixed situation is that the toys in Andy’s Room exist for no other purpose than to “be there for Andy.” Nothing is more profoundly problematic in this universe than the threat of separation from their child master. (The prospect of newer, possibly “better” toys makes the current ones fear ending up in the trash; while Buzz and Woody are separated from Andy, it is an inequity that must be corrected at all costs.) An aspect of this state of affairs is a sort of “code” that the toys live by very strictly (albeit voluntarily) that they must NEVER be seen animating in front of humans.

The Verdict: A woman is permanently comatose and must remain in a hospital for the remainder of her life as the result of her physician’s negligence.

Washington Square: All of the objective characters are defined in large part by their social and economic situation, and it is here where problems arise. Doctor Sloper’s “easy domestic situation saved him a good deal of drudgery” (James 3), but his son and wife’s deaths have made him an unhappy widower; Catherine’s expected inheritance leaves her open to the mercenary Morris Townsend; Aunt Penniman is financially dependent upon Doctor Sloper, Aunt Almond explains to Doctor Sloper Morris Townsend’s social standing:

‘They tell me [Doctor Sloper] our gentleman [Morris Townsend] is the cousin of the little boy to whom you are about to entrust the future of your little girl.’ . . . The name is the same, but I [Mrs. Almond] am given to understand that there are Townsends and Townsends. So Arthur’s mother tells me; she talked about branches–younger branches, elder branches, inferior branches–as if it were a royal house. Arthur, it appears is of the reigning line but poor . . . [Morris] is not. (James 34-35)

Witness: The story plays out in the peace-loving Amish community, which is loath to bring in “English” such as John Book, especially when they live by the gun and fist–but the men who shot Book will come after Samuel, so they must help him; As long as the witness Samuel remains alive, the careers and criminal activities of Schaeffer and his men are endangered.

Excerpted from
Dramatica Story Development Software

STORIES that have Judgment of Bad:

The Age of Innocence: Newland never realizes his full potential as an enlightened man hoping to share his true self with a lifelong partner, his wife. He is trapped in a stifling existence for the best years of his life. He only becomes free when he’s an old man who believes that it’s too late for personal happiness.

Amadeus: Salieri’s defeat is total, and he is both forgotten as a composer, and thought by the public to be insane. He never resolves his conflict of faith. It is his destruction.

Body Heat: Ned feels terrible that his decision has led to Mattie’s apparent death–she “obviously” couldn’t have known about the booby trap or she wouldn’t have walked into it (or so he thought). This judgment of “Bad” is mitigated in the author’s proof by having Ned figure out that he has been duped and that he strongly suspects the real truth: Mattie is alive and living exceedingly well off of the inheritance money.

Chinatown: Jake remains clueless as to why events turned out so badly for him–“Forget it, Jake. It’s Chinatown.”

The Glass Menagerie: Laura retreats into her fantasy world — a glass menagerie that is like “bits of a shattered rainbow.” And though is seen being comforted by Amanda at the end, it is the memory of his sister that haunts Tom for the rest of his life.

The Godfather: For Michael to have been left the only one capable of preserving his family’s power is bad for him personally. He continues to be in love with Kaye, maintaining the lie he is not a murderer. Kaye represents his original desire to remain outside of his family’s dirty business. When he changes by becoming willingly committed and involved as the new Don, his need to prevent Kaye from discovering this indicates he is still plagued by his personal problems.

Hamlet: Hamlet finally perceives that “if it be not now, yet it will come,” and that “The readiness is all” (5.2.219-220). This discovery, this revelation of necessity and meaning in Hamlet’s great reversal of fortune, enables him to confront the tragic circumstance of his life with understanding and heroism, and to demonstrate the triumph of the human spirit even in the moment of his catastrophe. Such an assertion of the individual will does not lessen the tragic waste with which “Hamlet” ends. Hamlet is dead, the great promise of his life forever lost. (Bevington xxxi)

Heavenly Creatures: An adolescent rebelling against the confining nature of adult authority figures, Pauline is detained in prison for her crime. She is forever separated from her beloved Juliet, who “was released in November 1959 and immediately left New Zealand to join her mother overseas.”

(Walsh & Jackson, p. 216)

Lawrence of Arabia: Lawrence finds that while he is fully capable of fulfilling the role of God-like leader, it comes at great cost to his own personality: his sado-masochistic tendencies have been brought to the fore, and he finds he both enjoys inflicting suffering on others and experiences pleasure in his own degradation and torture.

Othello: Othello’s fall from grace is stunning. At first he’s a happy newlywed; successful as a warrior and well respected in the community. When Brabantio accuses him of witchcraft in front of the Venetian senate, the members disbelieve the charges because of his stellar reputation. He faces them with calm and confidence. But Othello is corrupted and quickly becomes an irrational, despondent madman, an abusive husband, a murderer, and after realizing his colossal mistake, he kills himself.

Platoon: Chris’ experiences in the war do not lead him to find something to be proud of, instead, he has become a cold-blooded murderer, and kills his nemesis, Sgt. Barnes in merciless revenge. The physical and, especially, emotional wounds he has sustained in Vietnam will forever serve to remind him of the shameful dehumanization he endured in the war.

Quills: The Abbe de Coulmier unwittingly and unhappily ends up an inmate of the asylum.

Reservoir Dogs: Mr. White defends Mr. Orange’s honor and his life in a three-way shoot-out with his colleagues. He suffers intense anguish when he learns Mr. Orange betrayed him; in killing Mr. Orange, he seals his own fate.

Romeo and Juliet: Romeo ultimately fails in his efforts to live happily ever after with his “heart’s dear love” (2.3.61)–“For never was a story of more woe/Than this of Juliet and her Romeo” (5.3.320-21).

The Silence of the Lambs: At the story’s end, Clarice has not put her personal demons to rest. She has no answer to Lecter’s final phone call:

LECTER (V.O.): Well, Clarice, have the lambs stopped screaming… ?

Unforgiven: While Munny succeeds in getting the money he needs to help raise his two children, it’s at great personal cost: the dark side of his nature that he’s suppressed for years has resurfaced. He’s become a mean killer again, drinks hard liquor, and will surely be haunted by the faces of his new victims.

The Wild Bunch: Pike never gets the chance to put right the personal wrongs he’s experienced in the past: he doesn’t get revenge on the man who killed his woman, and for abandoning Thornton there’s no forgiveness–only death for another’s (Angel’s) cause offers any kind of redemption at all.

Witness: By staying on the farm, Rachel doesn’t get the man she obviously desires, John Book, and she’s about to be saddled with Daniel–the Lapp family may be buying a horse with only one good ball again.

Excerpted from
Dramatica Story Development Software