Do-er and Be-er should not be confused with active and passive. If a Do-er is seen as active physically, a Be-er should be seen as active mentally. While the Do-er jumps in and tackles the problem by physical maneuverings, the Be-er jumps in and tackles the problem with mental deliberations.
The point is not which one is more motivated to hold its ground but how it tries to hold it.
A Do-er would build a business by the sweat of its brow.
A Be-er would build a business by attention to the needs of its clients.
Obviously both Approaches are important, but Main Characters, just like the real people they represent, will have a preference. Having a preference does not mean being less able in the other area.
A martial artist might choose to avoid conflict first as a Be-er character, yet be quite capable of beating the tar out of an opponent if avoiding conflict proved impossible.
Similarly, a school teacher might stress exercises and homework as a Do-er character, yet open its heart to a student who needs moral support.
When creating your Main Character, you may want someone who acts first and asks questions later, or you may prefer someone who avoids conflict if possible, then lays waste the opponent if they won’t compromise.
A Do-er deals in competition, a Be-er in collaboration.
The Main Character’s affect on the story is both one of rearranging the dramatic potentials of the story, and also one of reordering the sequence of dramatic events.
By choosing Do-er or Be-er you instruct Dramatica to establish one method as the Main Character’s approach and the other as the result of its efforts.
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