Dramatica

Our most popular articles on Dramatica focus on the key concepts of the theory, an explanation of the theory’s origins, and several of its practical applications. You can also explore our newest Dramatica articles or search the entire library. What Is Dramatica? Dramatica Graphic Novel The Dramatica Structural Model Definitive Scientific Article on Dramatica Theory Dramatica – Where’d the […]

What Is Dramatica?

What is Dramatica? Dramatica is a theory of story that offers both writers and critics a clear view of what story structure is and how it works. Dramatica is also the inspiration behind the line of story development software products that bear its name. The central concept of the Dramatica theory is a notion called […]

Narrative Science and Dramatica

Every once in a while I write an article about the Dramatica theory of narrative structure that zooms right down to the subatomic level. Such articles have absolutely no practical value to writers but, being a narrative scientist, it is a means demonstrating the depth and complexity of the Dramatica theory to my fellow self-proclaimed […]

The Story Mind (Part 4) – The Dramatica Chart

Excerpted from the Book “Dramatica Unplugged“ By Melanie Anne Phillips, Co-creator of Dramatica A part of the Dramatica Theory book, we developed the Dramatica Chart of Story Elements (which is not unlike the Periodic Table of Elements in chemistry). Download a free copy of the Dramatica Chart at Storymind.com. You can use it to create the chemistry of […]

Dramatica Do-er vs. Be-er

A Dramatica student asks: In Dramatica theory, are all Objective Characters be-ers and all Subjective Characters do-ers? My reply: No, there is no assignment of be-er or do-er to objective characters at all. Objective Characters, such as the archetypes, are all defined by their functions only, when seen in terms of structure. Naturally, in storytelling, […]

What Good Is Dramatica?

Chris Huntley and I developed a theory of story structure back in the early 1990’s.  Our theory was all about the relationships among structural story points – like a Rubik’s cube of story structure.  We programmed those relationships – that cube of story – into a software program called Dramatica where they became something we call […]